The house has been doused with gasoline. (You’re welcome in it.) The floor of the house is littered with matches. (Take your shoes off.) The house has no fire alarms. (Have a seat.) The cops don’t respond to house fires in these parts. (Kick your feet up.) The house is on fire now. (Be a love and close the door to save the rest of us.) The house burned down. (We wrote you a loving obituary.)
The loving obituary: We adored them. For some reason, they always looked uncomfortable around us. We did everything we could to make them feel right at home. They died before their time. Sometimes, [insert adjective here] people aren’t meant for this world. We will always remember them fondly.
—
I wrote this July 12, 2023. It’s about how we treat people we want to exclude while they’re alive versus how we talk about them once they’ve died. I was thinking specifically about how queer folks and those living with trauma and/or mental health issues are treated—and the ways in which the very people who exclude those folks from their homes, lives, families, schools, workplaces, places of worship, communities, and societies take no responsibility for their eventual, often untimely, deaths. There wasn’t anything we could have done is a common refrain. Really? Nothing. Not one thing?
I was also thinking about how it felt for me to live as a queer non-Mormon person with trauma and mental health issues here in Southern Utah, where I was routinely excluded and reviled even in literary communities. The poets who run two separate chapters of the Utah State Poetry Society told me they’d close their chapters down if I ever attended them because my work was inappropriate. I was a member of the USPS at the time and had every right to attend any chapter meeting in the state. Their issue was with my gender and sexuality, not my writing, which they hadn’t read.
I’ve thought about this post a few times since the election, so I decided to share it again. We need to bring the way we talk about the dead and the way we treat the living into alignment.
A man died last night in Toquerville where the bypass road construction is underway. He had just robbed Lin’s Fresh Market up the road a few miles and threatened to kill one of the store’s employees. He fled the scene and drove our direction. He crashed in the bypass area, was ejected from his vehicle, and was found dead by the police.
All the poems like woolen lovers.
I want to be the Marybeth Taylor of poetry. I went to middle school and high school with Marybeth. She was kind to everyone. Everyone. Not nice but genuinely kind. If I can manage to be her, someone needs to be her. All the kids in school needed her back then. Poets need someone like her now.
Oh, no. Woody Guthrie supported the 1939 Molotov-Ribbentrop Pact and the Soviet invasion of Poland that occurred that same year.
Those who’ve been shaped from birth by trauma sense what’s coming in the world, in the country, in the state, in the county, in the city, in the town, in the neighborhood, in the home, and in those around us. We can feel it rumbling inside us long before others do.
My job is to navigate these exterior and interior entanglements, to learn how to interpret and translate them without being subsumed by them, and to stay balanced in the most unbalanced of times. My balance doesn’t need to be perfect, but I have to recognize my center of gravity and anchor myself to it.
We have to survive what’s happening. We have to. The we is I that is also the we. The we of me. The I of you.
Poems are wild creatures. We need to treat them as such. They haven’t been bred over generations to prefer the warmth of our laps or trained to mimic everything we want them to say. Let poems roam. Feel their hooves shaking the ground. Watch them sleep in branches and devour each other in rivers and lakes. Don’t brand them, whatever you do. They aren’t yours. They never were.
I recoil when the language of power and control enters a conversation, then I grieve for what that language has extinguished.
We are in deep shit. All of us.
In my experience, nothing good happens behind closed doors. Everything unaccountable happens there.
I do not suffer gladly.
The more time I spend with poetry, the more faith I have in poetry. The more time I spend with poets, the less faith I have in poets.
I often wonder if we live in a post-community society. Now, I’m concerned that we live in a post-poetry community society.
Do not let fear nettle your heart.
My dog is trying to get inside my shirt.
Die by starvation or aspiration. Those are the choices modern medicine has given my brother-in-law. That’s his hospice plan.
And the foolish shall mow the earth.
I gather the fat bumblebees my neighbor has killed with his pesticides. They fall off his bushes and land in our yard this time of year. When I have enough, I’ll show him what he’s done without meaning to, but he won’t listen, especially not to a city girl who doesn’t belong in these parts. I’ll keep the bees so they’re not forgotten, add them to my cabinet of curiosities that already contains a rat’s skull my husband found on the back tier, a tiny moth who still stands with her wings erect as if death caught her off guard, a chunk of sandstone with an iron band running through it like a broken timepiece set to two hundred million years ago, wings from the hummingbird hawk-moth the bats devour on summer nights from the dark comfort of our unlit porch, and half of a kangaroo rat’s skeleton that I cleaned myself and placed in a jar, some of the bones smaller than plastic seed beads. The little size of dying Anne Carson talks about doesn’t get much littler than this. Even the bumblebees, gigantic by bee standards, die so small most folks aren’t even aware they’re dead.
A fallen soldier was on one of Jon’s flights. His family was there when he was taken off the plane. His grandmother sat in a wheelchair clutching a photo of him. This would be emotional under any circumstances. For Jon, today, when he’s on his way home to his dying brother and his veteran father who both survived and did not survive Vietnam, it hit deep, about as deep as anything has in his lifetime.
The last word Carl Jung wrote in The Red Book is the German word “moglichkeit,” which in English means possibility.
The wounded are the ones who can walk among the wounded.
Think about earthspan, not lifespans.
The healing that’s in our cells, our genes, our families, finds its way into the world.
He takes all the girls to see taxidermied two-headed animals.
Now that it’s snowed, the winds have come, the white-crowned sparrows are here singing raspily in the shrubs, and the dark-eyed juncos have arrived to bauble in the trees, my transition to winter is complete. I don’t even have to rookie my way through this season. I’ve got the pros here by my side to guide me.
The dark-eyed juncos are here for the winter! I just saw half a dozen of them in my honey locust. I know their range map says they’re found year-round across Utah, but they really don’t hang out down in Southern Utah, or at least this part of Southern Utah, until it gets too cold for them in the northern part of the state. When they come down this way, they show up in large numbers.
Stunned, I walk toward a blue father I mistake for the moon.
Trees look better up close than faces.
The trauma in the world finds its way into our families, our genes, our cells.
When the rock is exposed, time is exposed.
I know I’m not having an actual conversation with my honey locust tree, but I feel like it’s saying that it’s happy to endure the wind because wind brings rain and rain means life.
I looked at a wind map this morning hoping Toquerville and Tucson’s winds were connected. They aren’t.
I just accidentally ate a stick.
Even in Toquerville— doing whateverthefuck— I long for Toquerville.
— Dana Henry Martin after Issa
My neighbor gave me two pomegranates from her tree last night. They’re conjoined, stacked one on top of the other. They’re the pink variety, so they look a little unripe to my eye, but what do I know. I don’t grow them or know anything about them, really, other than Persephone ate three seeds from one, according to one version of the myth, and that’s why we have winter.
I was once two.
I think my dog’s sleep schedule is entrained on the phases of the moon and not on dusk and dawn. She was up earlier this morning than she should have been. That means I was up earlier this morning than I should have been. It was a big-moon night, no doubt about it. And it lingered. Moonset wasn’t until 7:57 a.m. here in Toquerville, Utah. (That’s 6:57 a.m. Tucson time.) I’m going to have to make sure she sleeps under the covers or her blanket until the moon settles down.
May the last thing I write be nothing.
A dozen house finches just silently dropped into my sage bush like that paratrooper scene in Red Dawn as if they had no bodies at all and were therefore immune to the effects of gravity. Now they’re in the locust moss acting like house finches again.
You could live all your life in a cold desert and think it’s paradise. But you don’t know the warm desert. You may never know the warm desert. I know the warm desert. I almost know it. I’m learning it like a new language or a new instrument or a new key. I will weave the warm desert as I’ve woven the cold desert. I will write the warm desert, but first I must write the cold desert. I’m writing the cold desert now. I’m trying. It wants me to write it. I have to believe this or I won’t write it.
It’s hard to change times if you’re in the wrong time. But I believe it can be accomplished through poetry—without running headlong into the future or clawing your way back to the past. At its core, poetry is time travel. Let’s go.
What’s dying is already dead before it is dead.
What living is already living before it has lived.
What’s brewing has already brewed before it has brewed.
I was, too, once.
The white-crowned sparrows have returned for the winter.
We’re back in Utah until late November. It’s so beautiful here. Our home is situated in an ecotone where not two but three ecological communities meet. There are no words for these lands, this place. I would stay here for the rest of my life if I had adequate healthcare, acceptance, understanding, support, community, a sense of belonging, and a welcoming and vibrant poetry and arts community.
Birds are so sweet. I don’t belong on the same planet as them.
Early morning, dreams wash past into the present. Halls of unlocked doors.
I was lonely last night, so I asked AI to tell me some facts about Cooper’s hawks.
Morning Prayer October 3, 2024
Good morning. I hope to be as enthusiastic about this day as the Gila woodpecker in my yard who just found a tasty berry to eat and was moved to announce his glorious find in all caps: CA CA CE CE KI-KI-KI-KI!
May you all CA CA CE CE KI-KI-KI-KI at least once today, preferably when you’re alone and in public.
There should be a literary journal called Crouton.
My water is over my bridge right now. I say that knowing there is literal water over literal bridges in parts of this country and that bridges and every other imaginable thing, along with people and animals and lands, are being bombed out of existence right now. But my water is over my bridge. I try to keep it under my bridge. That’s how I survive. Otherwise, I will be my own undoing, and I don’t want that. Kris Kristofferson says, “You don’t paddle against the current, you paddle with it. And if you get good at it, you throw away the oars.” I guess I’d better figure out how to paddle. I need to find some oars before I learn how to navigate the current without them. I think poetry might be my oars. It better be.
I think I’m done posting about Kris Kristofferson. It’s like my whole life has been a deck of cards precariously balanced, and he was one of those cards, so I’m moving pretty swiftly into old pain as my cards fall. I’ll clean up my timeline tomorrow. I just want to leave all my posts up until then.
There weren’t many good things about my childhood. Thinking I was going to grow up and marry Kris Kristofferson was one of them.
I’m sorry. I never thought about the fact that I’d one day have to live in a world without Kris Kristofferson. I was not prepared for this.
Animals know fear. I know that much.
I think I’m entrained on curve-billed thrashers singing in the morning as opposed to being entrained on dawn. That’s fine, I guess, since the thrashers are entrained on dawn. What bird will signal morning when I’m in Utah? I may need a curve-billed thrasher alarm.
I just earned twenty-two active zone minutes putting away the one hundred twenty-three diet sodas my husband brought home this morning. Apparently, they were on sale, so he bought one hundred twenty-two more than I asked for.
I asked my husband to run out and get me a diet soda. He came back with one hundred twenty-three sodas.
Say what you want to say and what you need to say when you want to say it and when you need to say it.
You never know what lives your poems are living outside you.
Who’s to say / how old I am / in poetry years.
The painters unwrapped my house while I napped on the sofa. I woke to sunlight turning my eyelids into glowing pools. I am reborn. I want nothing. I want everything.
I will not hyperfocus today. I will not hyperfocus today. I will not hyperfocus today.
I’m messing around with my poetry database again today. It’s not going very well because I’m pretty high. Our townhome quad is being painted, and the fumes have made their way inside our house. The new color is decidedly ’80s dusty rose, a real blast from the past. It was supposed to be copper. It’s not copper. But the older women who live in the three other townhomes absolutely love it, so I will try to love it, too.
For no apparent reason, Meta AI sent me a message describing the geologicial features of Douglas, Arizona.
I managed to send five poems to one literary journal. That only took about forty hours of work. Now, I have to eat.
I want to write a heartbreaking poem about a wombat, but I am too tired.
I revisited my Eastern Washington poems yesterday. Now, I’m aching for Eastern Washington. I never left. (I left before I arrived.) I took it with me when I left. (It wouldn’t come with me.) It asked me to stay. (I didn’t stay. It never asked me to.) I left myself in it. (I left it somewhere inside myself.) I left it. (It was already leaving me.) I drove away. (It drove me away.) I was moving. (I appeared to be in motion.) I wasn’t still. (I wasn’t in motion.) I was the one who moved. (It was the one that wasn’t still.) We are both still now. (We are both still moving.)
My husband woke early and made the world light before it was light.
Someone left the moon on all night.
I sit in the dark. A cricket sings in the courtyard. The moon is gone.
I’ll stir when the rufous-winged sparrow stops singing.
Lots of coyote talk this morning, too.
I heard a western screech owl this morning and got a recording of its call. I’ve never heard or seen an eastern of western screech owl before. All the birds were communicating because a Cooper’s hawk was in the area.
We’re on our way to Target to get a second weighted therapy dinosaur so we each have one and they can sit at our dining room table and hang out together. I am super excited. They may even have a tea party. Yes, we’re in our fifties. Between the two of us, we’ve been on this earth for one hundred seven years. I guess that makes us almost as old as dinosaurs.
Edited to note that the second weighted therapy creature we bought is a dragon, not a dinosaur.
Lizards seem to have time on their hands. I could have talked about this with my friend, but she’s been dead for twenty months. The last time we spoke, she said, “Of course bees play. Of course they do.” I want to tell her how lizards climb and cling and swim and glide and run and how one teases my dog every morning by hanging upside down on the patio screen. I don’t want to have time on my hands. I want someone to call about lizards, someone who birds land on and who rescues cats and dogs and names them after characters in books, someone who knows the hearts of animals because animals helped her survive the unsurvivable until she didn’t and was no longer an animal, no longer part of time.
The dead usher us toward death simply by being dead.
As soon as I think about sending my poems out, they quit glinting and turn into sand, sand, more sand, so much sand.
Facebook is trying to sell me on an AI boyfriend. I already have an OI husband: an autodidactic neuroatypical advocate, artist, composer, electronics wiz, gamer, hacker, mentor, musician, outdoor enthusiast, pet lover, and software engineer. Organic intelligence for the win.
I learned some Spanish today from my fellow Tucsonans: Chinga tu maga, no mas naranja.
Now that you’re a bird, not my father, I can look at you. I did that. I turned you into a bird.
If you seek peace, if you seek prosperity, if you seek liberalization, come here to this gate. Open this gate. Tear down this wall.
Carbs made me love you. I love everything on carbs.
I saw a palo verde tree wearing a green tie today in Tucson. Nothing else. Just the tie.
He is dying. He will not tell me what he would carry in the pocket of his spacesuit if he were walking on the moon.
Jon is home now. Last night, his father asked him why he had to leave, and his dying brother begged him to stay forever.
Me Crow Wah Vay. That’s how an automated voice on a TikTok video pronounced microwave in a video I just watched. Me Crow Wah Vay.
Perhaps life is just a process of cyclically confronting the unfathomable until it’s fathomable, and then we die.
I just found a 20-pack of thong underwear for $27 on Amazon. I’m sure workers had safe working conditions and were paid fair wages to make them. I tried to make my own underwear years ago. I do not know how to do that. I forgot to use elastic, and the pair I sewed fell off immediately. Never have I failed so splendidly outside of a poem. Most of my poetry has no elastic.
My therapist made me feel good about myself, and it got me all messed up.
If you don’t understand trauma, you can’t create trauma-informed spaces. Studying trauma, theorizing about trauma, and following the rules about what is and is not trauma-informed isn’t enough. You have to know trauma inside and out or you’ll end up creating environments that are traumatizing, which is detestable when you say you’re trying to do the opposite. Worse yet, you’ll bring people into your “safe” spaces and harm them.
The world is not how I left it.
I saved myself from myself for myself.
Neil Armstrong carried two artifacts in the pocket of his spacesuit when he walked on the moon: a 1.25-square-inch piece of muslin fabric cut from the Wright Flyer’s left wing and a piece of spruce wood taken from the plane’s left propeller.
Maybe I’d carry my mother’s high school valedictory speech, which she wrote when she graduated at age 16 so I won’t forget where my ability to write comes from. And I’d carry my father’s Sigma Chi ring so I never forget who he was, what he did, how he wielded power, and what I overcame.
If I could, I’d carry my mother’s heart and my father’s brain: the first so I could feel through her, the second so I could resist thinking like him.
Hope is just a nope whose ascender grew over time.
He didn’t show emotion because he’s neurodivergent. He showed emotion because he’s human.
Trauma set my body clocks
It’s not death I fear. It’s spending eternity with my father.
I dreamed a poem last night that was either terrific or terrible. Either way, it’s lost now. The waking world devoured it.
We no longer have the luxury of moving mountains one tablespoon at a time.
While watching the apocalypse unfold, people will be pissed that there aren’t snacks. We want to nibble while Rome burns.
Out of nowhere, I started playing the melody from “In Trutrina” from Carl Orff’s Carmina Burana on my new toy piano. And just like that, I’m healed—at least for today.
Ableist culture, go fuck yourself.
I bought a toy piano. I will John Cage my way out of despair.
Sometimes, in our misguided endeavors, we fly a one-winged unicorn into the side of a crystalline mountain. That’s OK if our intentions are flawed but genuine. Sometimes, we have a crew of willing or unwilling riders with us, and our carelessness sends them careening. That’s not OK regardless of our intentions.
Where we discriminate against one, we discriminate against all.
I just realized they’re called pancakes because they’re little cakes you make in a pan. WHO KNEW? Dyslexia’s fun like that. I can identify complicated words with Old English or Latinate roots, but I can entirely—for most of my life—miss obvious word combinations such as the conjoining of “pan” and “cake.”
I write quickly so my fingers can stay ahead of my thoughts. Removing thinking from my writing is my best hope for experiencing, understanding, and communicating anything meaningful.
Wear sequins today, even if they’re just imaginary ones pasted on your heart. Wear red, the deep shade tinged with black ink. Wear a slogan on your chest written in invisible letters. Be ferocious. Be affable. Be any instance of yourself that you want to be. Good morning.
I came across all the microforms for The Bureau of Refugees, Freedmen, and Abandoned Lands at the library yesterday. Here’s what the National Archives says about that bureau:
Bureau functions included issuing rations and clothing, operating hospitals and refugee camps, and supervising labor contracts between planters and freedpeople. The Bureau also managed apprenticeship disputes and complaints, assisted benevolent societies in the establishment of schools, helped in legalizing marriages entered into during slavery, and provided transportation to refugees and freedpeople who were attempting to reunite with their family or relocate to other parts of the country. As Congress extended the life of the Bureau, it added other duties, such as assisting Black soldiers and sailors in obtaining back pay, bounty payments, and pensions.
Be full of care today. Be full of love. Be full of kindness. Remember to breathe even when you don’t want to breathe. You are here, solidly, in this world. It breathes alongside you.
My favorite thing I’ve done with my life? Survived it.
A poem about obsessively removing the insects that have invaded my home because I can’t do anything about the cancers that have invaded the bodies of those I love.
The body is an inpatient facility.
Our militarized mindsets will be our undoing.
The problem is we think communities exist in order to be policed.
Facebook thinks I should be friends with some guy named Ween. No last name. He’s just a big old Ween.
This morning, a woman at Fry’s stopped me to ask for help finding food for her husband, who’s preparing for chemotherapy treatment. She described the kinds of things his doctor said he should have. We walked and talked and found some good options for him.
It’s easier to remember being young than it is to imagine growing old.
Eight years ago, I thought we were post-narrative, post-storytelling. Now, I fear we’re post-community.
The problem is poetry isn’t part of our daily discourse. I’m serious.
Write the poem you want to see in the world.
The birds are acting strange today. The humans, too. And the dogs.
I’m the dark water, but I’m also the buoy cast into the dark water.
Again, I’ve dressed for the wrong desert.
I like having two houses. If I die, my dog will think I’ve just gone to the other house and she’ll see me soon. I’ll be away, not gone.
Poets, may I rise from the beautiful destruction of your work. May I live another life, another day, through your poems. Grant me the strength to be burned clean and fly like that fierce mythical bird or even to outlive ten phoenixes like one of the Nymphs—all because of your writing. May we rise through and because of each other. May that be our eternity.
I just clocked fifty-nine active zone minutes on Fitbit getting IKEA items out of their packaging.
A bobcat just walked by our house.
Now I know what my monsoon-season hair looks like. Not good.
I’m dressed like a flower so the bee who made his way into our home yesterday will land on me and I can walk him outside. I made nectar for him last night and placed it in a shallow dish. His name is Tucson but we call him Tuckie for short.
Don’t thank me for helping you grow if you grew at my expense.
There is no border in the heart.
I’ve got a lot going on here in Southern Arizona for a person who was intellectual surplus in Southern Utah.
I was desperate to exist in Southern Utah and am relieved that my existence is a given in Southern Arizona.
Tell me where you live without telling me where you live: I wake at 5 a.m. to be active while avoiding the heat, have a favorite saguaro that I photograph regularly, and nurture a love/hate relationship with javalinas.
I just received a box containing a box containing boxes.
Love: Why do I feel so heavy?
Me: Because you’re carrying me.
The longer we live, the longer we live in the past.
You won’t save the land. (You must try to save the land.) You won’t save the animals. (You must try to save the animals.) You won’t save humans. (You must try to save humans.) Who is speaking? (And to whom?) My trauma to me. (Me to my trauma.) Me to myself. (My trauma to my trauma.)
I was of the lands in Southern Oklahoma. I’ve been in all the other lands where I’ve lived, not of them. I could be of Southern Arizona someday — if I stay long enough, if I live long enough. I want to be of lands again. It’s been too long. It’s been decades.
My dog and I eat spinach together on the anniversary of my last dog’s death.
We don’t have to be Sisyphus, pushing a rock up a hill forever. We don’t have to be Demosthenes, speaking with pebbles in our mouth.
Half the time, these doves fly wherever they want. The other half, they fly away from danger.
It’s warm today. Too warm for worries.
I sort everything for the move. A box for hate. A box for love. A box for confusion. A box for pain. In the end, everything’s in one box: the box of love. It’s overflowing.
If we can see ourselves in literature, we can see ourselves in the world.
You feel almost human, Tucson, just like your stately Saguaro. Or maybe I feel almost land, almost air, almost bird, almost snake, almost you, Tucson.
I dreamed my mother had a car that was also a dishwasher and an ashtray. If it had been a wet bar, a bassinet, and a coffin, too, she would have had a cradle-to-grave device.
Want is the first word I felt with my whole being. Want want want want want clattered through my nerves making sense of physical phenomena that can only be conceptualized through language. It’s never left, that word, not since I learned there was a name for what moves me, what makes me ache, what blinds me to reason and reveals me for what I am at my core: a thing that craves.
Sometimes, you’ve just got to superglue your cracked and bloodied feet and keep walking.
Sometimes all it takes is a neighbor reaching out with an armful of peaches to save us from disaster.
My neighbor appears to be pushing a stroller full of snacks down the trail. No child. No dog. Just snacks. Brilliant.
May winds blow birds your way.
It’s the time of year in which I worry ceaselessly about baby birds.
My dog is in the kitchen staring at the air fryer.
Ravens overhead and a pile of entrails on my back patio.
Catastrophic thinking: The tip of an agave spine is lodged in my finger. I’m obviously going to have to cut my whole hand off.
Wood rats are the hamsteriest of all the rats. We have one who uses our rock wall like a little cubby-filled highway. We watched each other for a long time yesterday as she darted in and out of openings making her way up to our neighbor’s house. I’m going to leave some trinkets out for her, things she might like for her midden.
Traffic was at a standstill on the highway through Toquerville this morning. Two sheriffs and an animal shelter officer were trying to capture a pig who was on the loose.
I moved a cobblestone in the yard and found a western fence lizard attempting to stay warm on this chilly morning. I carefully replaced the stone and apologized for the intrusion.
If you can love a chicken, you should be able to love a human being, but things aren’t always that simple.
I have so many things to do, but my dog is sleeping on my lap.
A turkey vulture glides over the creek, wings bent, head down. Fist-shaped clouds fill the sky. Am I the only one who braces a little all the time — in the Walmart, in the wildlands, in my home? You just never know what’s coming. When I was manic, I told the ER doctor my family was always exploding and floating. It’s true. The only way we survived each other was to float like vultures in our violent skies. Mania is a way to float when gravity’s fussy little hands won’t let go, when the weight of reality is unsurvivable. It’s a way up and out, all wing and wonder. Then you land, hard, the earth splitting you with its open hand. What’s my faith? That I’ll be broken again in this lifetime. I have faith in that the way the vulture has faith that he’ll find carrion before nightfall.
The vultures and the storm arrive together. Below, the dead, waiting. Below, the dry land, waiting. Famine, feast. Drought, water. A blue tractor pushes a single bale of hay across the pasture just before the rain begins to fall.
I hated the wind when I couldn’t escape the wind. Now the wind is gone. I miss the wind. I love the wind.
Part wind part sand. Part sand part canyon. Part canyon part water. Part water part stone. Part stone part moss. Part moss part bark. Part bark part loam. Part loam part clay. Part clay part man. Part man part prayer. Part prayer part song. Part song part wind. Part wind part sand.
This morning, the sky is a common opal, milky blue-white with deeper blue-gray behind that. Nothing shining through. Nothing casting off light. Nothing for us to point at and say, There it is, evidence of God. This dull sky hangs above the desert’s painted soils, its gutted reefs, its nameless headstones. It neither consumes us nor purges us. Just another day. Just another sky. We’ve all seen thousands like it. Good morning.
Facebook, how would I watch two rescued prairie dogs eat grape tomatoes without you?
Isn’t this why we’re all here? To postpone our own and each other’s departures? From life, I mean. From life.
This stone-heavy ball of hope. This gravel-slick hill before me.
It’s easier to forgive the dead for what they’ve done than to forgive the living for what they’re doing.
Cinched by cumulus clouds, the Pine Valley Mountains are sugar-white thanks to yesterday’s snow. Below, sand-encrusted cars zip behind the cattle ranch’s picket fence. Three rock doves draw my eye from cottonwood to rooftop, then everything is still until the air shifts, until another car passes, until another bird flies. I could waste my life here, right here.
That beating? It’s the rhythm of death but also the rhythm of life.
Good morning, air. Good morning, land. Good morning, birds singing the desert to life.