Birds Above the Abyss

Because I Have Suffered

First response to suffering: Because I have suffered, I don’t care about the suffering of others. Second response to suffering: Because I have suffered, I don’t want to see others suffer.

Spring: Plastic bags snagged in the stubble field are turned into the soil.

Good house: / sparrows out back / feasting in the millet. — Issa

Two mylar Valentine’s Day balloons are stuck high in my neighbor’s silver maple. They aren’t just an eyesore; they pose a threat to area birds. This isn’t how you tell someone you love them.

Dried hydrangea blossoms stumble along the culdesac, the wind’s playthings.

Snow. Wind. A pair of red-winged blackbirds clings to the crabapple.

You can tell a lot about a person from their detritus.

I come to know you through the things the wind blows from your yard to mine.

You once held the mylar balloons that quiver in the silver maple.

Your inflatable packing is strewn across my yard like entrails.

I walk around picking up your branches, your receipts, your skiffs of tinfoil.

Take my birds as a sign of goodwill. Let them sing you back to joy.

I’ll retrieve your balloons with a cherry picker—deflated hearts that announce your love.

Your plastic will become my plastic. Your glass, my glass. I want your caps, your lids, your Juicy Juice boxes and their delicate little straws. Let it all blow my way.

What’s this? Your pill sorter. The chambers are chalky and taste like salt.

Have my watering can and two-tiered birdbath, my chipmunk and his major and minor hoards.

You crossed the boundary long ago, so take what you want. This leaf. This seed. This wagon. This hoe.

Bed of Moss

A red-winged blackbird has come to visit. What a surprise.

Over the din of construction equipment and yard tools, the male red-winged blackbird calls for a mate.

The red-winged blackbird seems to be serenading a pair of courting mourning doves.

A feather floats to the ground. Whose?

Even after I forget who I am, I think I will remember birds.

Today, my Turin horse was a pair of bluebirds trying to nest in a construction zone.

The next time you see a bird, know that part of me is with you.

I kept one thousand words in a cage, then I set them free.

On new asphalt, the muddy tracks of Canada geese look like hieroglyphs.

Unable to accept what is, I tried to will a dead goldfinch back to life today.

If I hold your neck, will it unbreak? If I open your eyes, will you see? If I run my fingers along your feathers, will you fly? Summer is coming, your brightest season. Now you lay in my hand, your toes curling as if around a branch. I breathe and you don’t.

Today, my Turin horse was a small bird who died because he tried to fly into the reflection of a tree.

I laid the goldfinch to rest on a bed of moss and covered him with dried hydrangea blossoms.

In this world / we walk on the roof of hell, / gazing at flowers. — Issa

Geometry

I found a heronry today near my home.

Birds froze to things last night: utility lines, branches, feeders. They left feathers behind when they flew away.

Geometry: two northern flickers—one on the utility pole, one in the sweetgum—and me, below, standing between them.

A European starling found a white feather and dropped it in the birdbath.

A blue jay used a peanut shell to bully other blue jays. He wielded it like a little sword.

Overhead, a single herring gull flew behind several ring-billed gulls.

I am as fussy as an American goldfinch.

I don’t know where the birds go at night, but I want to go there, too.

Songbirds slid off iced branches this morning.

The correct image is always a seed—it contains its own explanation, and defines itself. — Charles Wright

The ground has thawed. Squirrels play in the wet grass.

Morning: A squirrel drags a dried hydrangea blossom to his nest in the silver maple.

The grackles arrived this morning. In the near distance, hundreds of Canada geese are moving north. Only a handful of juncos remain. One sings from the back fence.

I hear tapping on a nearby tree. Two red-bellied woodpeckers jag through the air. They needle the sweetgums then disappear.

I am mildly interested in leaving the house but only to go watch birds somewhere else.

Sunny and warm. Clear skies. Two geese fly past the tornado siren tower.

I live knowing there is a Turin horse in my future, a suffering so great it will finally break me.

Bird Blind

Out beyond ideas of wrongdoing / and rightdoing there is a field. / I’ll meet you there. — Rumi

I imagine the field of no-ideas rustling with sparrows.

I’ve decided to come home to myself. I’ve been away too long.

I mean, my body has already come home to itself. My mind just got wind of it and is trying to take all the credit.

I feel a twinge of sadness when the American goldfinches fly off to my neighbor’s pin oak.

I feel bad about playing with boas when I was younger. I take feathers seriously now.

I waited all morning for the eastern bluebirds.

I watched birds for years without seeing them.

My house has become a bird blind.

I woke to bluebirds.

A yellow ball flies through the air: children playing.

The more I watch trees, the more I dream of trees.

Backlit birds and a bright gash in the dark sky.

A chipmunk scuttles home before the storm.

A blue jay covers a peanut with leaves before going back for another.

I don’t want to look at birds because I want to anticipate looking at birds.

The rain falls whether you think about it or not.

A wet house finch sings from my windowsill.

A World of Wounds

I enjoy feeding the birds.

A murmuration of starlings buzzed the cars on I-35 today.

The female northern flicker appears to have selected one of two suitors. The rejected male spent the day looking for the female. He sat in my yard calling for her. “Kyeer, kyeer. Kyeer, kyeer.”

The red-tailed hawk returned to the yard this afternoon. I have a crush.

These birds are my commitment remaining in the present.

I heard a blue jay cheep like a small songbird at the red-tailed hawk today. I’ve never seen that approach before, and I have no idea what informed the behavior.

I just played Vivaldi on my flute for the house finches.

Many people have an idea of what a bird is, but because they don’t pay close attention to birds, they don’t know what an actual bird is.

If you don’t pay close attention to birds, don’t write about them. Certainly don’t snare them in your nondescript haiku. Real birds deserve better than what you have to say about them.

I like men who walk their dogs in the woods.

Two paths trisect the snow-mantled yard: one to the birdbath, another to the bird feeders.

Juxtaposition: a brown creeper on the sweetgum, a bald eagle in the sky.

When I grow up, I want to spend all my time with birds.

Light-Catchers

A staircase of shelf fungus scales the side of a hawthorn tree.

All around me, the ground undulates. Robins shovel leaves in search of food. “Do what you want to do” floats into my mind as clear as birdsong.

A Carolina wren sings a medley that includes the song my wren at home sings. B-flat followed by G-flat, repeated five times.

A female hooded merganser sleeps on a sheet of ice, her mate nowhere in sight. Upstream, a great blue heron squats low in the water, drenching its chest.

I like talking with the old men who don’t seem to have anyone.

Hawthorn tree: Your fungus is soft, your spikes hard. This is life.

At home, I get out my piccolo and play along with the birds.

A child screams like a hawk—or maybe a hawk screams like a child.

Frozen water droplets hang from the branches like thousands of crystal balls. Light-catchers, these drops tell our future.

Trees shred the wind. My dog sleeps.

I feel like the dark-eyed junco in my yard who has the excreta of another bird stuck to its tail.

Language is in my fingers these days, not my mouth.

I am ill and screaming like a starling.

Even the noisy house sparrow calls me back to the present.

My thoughts yellow like old paper.

Winter: Snow remains in the shadow my house casts.

Life: looking down to see the remains of a dead bird at your feet.

Bare tree limbs speak to each other in Morse code.

Starlings pull up the garland of the sky and hang it on trees. — Jeff Schwaner

Life is better since I started pointing my camera away from me. By camera, I mean mind.

The Lake of the Morning

A therapist told me that EMDR changes the brain without conscious effort. Guess what else does that? The earth. Go outside.

The Cooper’s hawk perches on a silver maple. “Consciousness is terror,” I think.

In the world are some animals whose feet / Never touch the ground. Birds who only / Land on the uncertainty of open water. — Jeff Schwaner

How do I begin to describe a thousand snow geese on open water?

I belong. Say it with me. I belong.

My day started with the Cooper’s hawk killing a starling in my yard.

I decided a change of scenery was in order and went to the lake, where I saw two eagles mutilating a Canada goose. Next, I stumbled upon a hawk who had eaten a dark morph snow goose down to its wings.

I almost forgot to mention the dead trumpeter swan frozen on the lake in the most heartbreaking death pose.

The lake of the morning is not the lake of the evening is not the lake of midday.

Two hawks. No songbirds. Silence.

This afternoon, I watched a squirrel carrying leaves up to his home inside my silver maple.

The squirrels took the nest away from a northern flicker, who was upset today upon returning home only to find it occupied.

The squirrels need the nest because they are going to have a litter. The flicker needs the nest for protection from the elements.

Once you love birds, you have to love trees. Then you have to love soil and air. Berries and seeds and insects and arachnids. Sun. Rain. Wind. Water. And everything. You have to love everything.

Whose migration over open space / Turns everyone’s heads though they hear / Only your voice on a quiet morning. — Jeff Schwaner

I breathe the same air the birds breathe.

The despair. Don’t look at it. Look up.

Evening burns blue. Amnestic, darkness shrouds the tree canopy.

Baltic Amber

She tells me her name. It’s a faux portmanteau of candle and mandolin. She uses her digital SLR to show me a bufflehead, a common goldeneye, and a scaup. We don’t know one another, but we are the only two people standing on top of Clinton Dam which, at eight hundred seventy-five feet, towers over Clinton Lake. We are here to watch waterfowl. That’s as good a formula for a fast acquaintanceship as any. Bird lovers talk to one another. We’re an endogenous group with overlapping interests that include conservation, education, outdoorsmanship, and a good-hearted love of birds (with a bit of competition thrown into the mix). I’ve seen folks pull up beside one another in popular birding areas to share information on what birds are present and where they are located. “Seen anything interesting” is a common refrain. That’s exactly what the woman on the dam said to me before introducing herself.

It’s supposed to be in the forties, but it isn’t. At this height, the wind cuts right through my layers. It might as well be in the low teens. I don’t feel like a warm-blooded creature. This is how the stones on the side of the dam must feel, losing all their heat to the frigid air and thereby becoming the essence of frigidity. I jump up and down to stay warm. It’s a futile endeavor. My body heat flows into the surrounding air.

Lake Clinton was built under the Flood Control Act of 1962 by damming the Wakarusa River. Funds were allocated the year I was born, just one state to the south, where we’d had a recreational reservoir since 1944. My family adored that bloated watering hole, whose creation necessitated the flooding of four towns. Artifacts from those engorged ghost towns still sit at the bottom of the lake, including marble tombstones that emerged a few years ago during a drought. The creation of Lake Clinton required destruction as well. Ten communities were wiped out with the lake’s development, as well as rich histories, such as underground railroad sites. The Wakarusa River Valley Heritage Museum now operates out of an old milk shed that was once part of Bloomington, one of the towns washed away when the lake was filled. The historic house the shed belonged to was razed by the U.S. Corps of Engineers in 1981 after agreeing to renovate it.

It’s only my third trip here. I made the most recent one yesterday with my partner. Somehow, we managed to miss the turnout on the dam, which is one of the lake’s best spots for watching birds. When I got home, I realized our mistake and decided to come back out on my own. Birding is different alone. There’s something both calming and unsettling about looking for birds without a partner. There’s a kind of intimacy in finding a bird and sharing that experience with the person you love. It’s nice to run into other bird lovers, in part because they are so enthusiastic and in part because it takes the edge off the loneliness that can accompany solo birding. But it’s not the same as being out with my partner. I have more time to think, for one thing, which is both good and bad, depending on the thought.

Off to the right, the woman and I see two American white pelicans. To the left, a great blue heron flies in and lands on the rocky shore. The heron was here yesterday, too. The woman and I talk about how surprising it is to see a heron in such cold weather. My worry is evident in my voice, which cracks from more than the cold. I’m concerned that our unusually warm weather has affected migration timing and that many birds, not just this heron, are now in danger. In a matter of days, the temperature has plunged from the forties and fifties to the single digits, with subzero temperatures on the way. The woman and I talk about how cold we are before drifting back to our respective cars and cranking the heat. She drives away. I am on my own now, again.

I make my way up and over the lake to an area called Bloomington West. It takes longer than I expect. “Alone, alone, alone.” The word pecks at the deadwood in my head. I realize this is the first time I’ve done anything on my own since I experienced a period of great trauma in 2015. After that year, I retreated into what was safe and comfortable—into myself, mostly, and away from other people. I didn’t know a pair of binoculars would send me back out into the world—alone, alone—no less. This open-ended time is terrifying on some levels but also healing. I felt like the earth is putting me back together bone by bone, like a someone preparing a bird skeleton for display at a local nature center.

On the road, a man approaches from behind, fast. I’m going the speed limit, but he wants me to drive faster. Now I am not alone, and I want alone to return. Alone suddenly feels like an empty nest, safe and solitudinous. I worry about being out here at the lake and meandering through the rural areas that surround it. How easy it would be for someone to mess with a woman, with me. I feel old traumas speaking through my body, marks left by the men who have harmed me. Some experts call what I am experiencing the sequelae of trauma. Others call it post-traumatic stress disorder. The language I use is different. My trauma is subjective, not objective. It is visceral, not clinical. Psychologists don’t capture my experience any better than the authors of the DSM. I think about the eyes of the Cooper’s hawk who hunts behind my yard. They are the color of Baltic amber. I imagine my body is made of amber that, over time, has grown around what it has encountered, each occlusion an infraction—something forced, something taken, something threatened, something denied. The body is still there but so is what the body has been through, what it remembers. I have hardened around these memories.

I turn on a street with a funny name: E 251st Diagonal Road. The man is still behind me. I turn again, onto a road that will take me to the shore. The man keeps going straight. “Alone,” I exhale, as if the word were a mantra. I pass a newly tilled field and scare up countless meadowlarks and European starlings. They skim the field’s teased surface. I continue all the way to the lake, past a sign that reads “Road ends in water.” Perfect. A road to no-road feels existential in this moment. At the water’s edge, there’s another sign. This one says parking is not allowed at any time. I see nobody, anywhere. There aren’t even boats on the parts of the lake that haven’t frozen over. I park the car and step onto a wooden loading dock. Its yellow poles are as bright as a red-shouldered hawk’s legs and feet. The rest of the scenery is hazy, as if someone is holding a sheet of onion skin paper between me and the world. At first, I hear nothing. Then, there is noise everywhere—around me, beneath me, near, far. All at once, it sounds like singing and cracking and heavenly voices mixed with ghostly nightmare cries. My heart feels like a heron slipping on a frozen marsh until I place the sounds. It’s the water freezing, the everywhere sound of solidification. Imaging one thousand people bending saws and one hundred sticks cracking all at once. This is what the Sirens must have sounded like. Enchanted to the point of being driven mad, those poor sailors never stood a chance.

Now that I understand what I am hearing, the terror turns to strange beauty. This unsettling and unexpected improvisation has reduced my lexicon to a single word: “Wow.” I say it over and over. I look up from the ice to take in this abandoned corner of the freezing lake and see a tree full of bald eagles. I say wow again. And again. One eagle flies away. Another flies in. I see one in another tree. I see one on the ice. Wow. Part of me wishes my partner was here. Part of me wishes the woman I’d met on the dam was here. I know she would love this. But those parts are easily subverted. In truth, I want this experience all to myself, and I have it all to myself. The eagles. The lake. The haunting ice. And me.

I drive by Bloomington East, past the closed Wakarusa River Valley Heritage Museum, before heading out the way I came in. I stop the car in front of the field where I saw the meadowlarks and schlep into the freshly turned soil, aware that I am trespassing. I watch groups of starlings and meadowlarks skim the surface of the land, first left, then right. Through the binoculars, the birds don’t look real. The starlings are on one plane and the meadowlarks on another, like two paintings on separate sheets of glass with a space between them. I feel like I’m looking at an image in a View-Master. Not 3D, not really. Not the world the way the human eye and mind see and understand it. The binoculars create a beautiful distortion that turns the world into a piece of modern art.

I turn to walk back to the road. I think I see a party limo, but there’s a casket in the back. It’s a white hearse with a dancing neon license plate cover. A trail of cars follows. Ordinary cars. Nothing festive about them. They are the kinds of cars people in rural areas drive, ones that sit high off the ground, get around in all types of terrain and weather, and are always dirty. The occupants of the vehicles look sad and also a little irritated about passing a stranger standing where she has no business standing. Heavy with impatience and shame, I wait in the space that separates the life in the field from the death snaking beside it. The procession passes. I get in my car.

My road does not end in water, not today. I drive back the way I came. Hawks perch in the trees and on power lines along the highway. They give way to rock pigeons, then starlings. I arrive home in time to see a white-breasted nuthatch and a Carolina wren in the yard. It gets darker. Only the northern cardinals remain. Then they leave. Darker still. I see a mourning dove on the edge of the birdbath. Then nothing.

Road Ends in Water

The snow is frosting sprinkled with nyjer seed.

Geese fly by so low I’m afraid they’ll get snagged on the sweetgums.

Crack. Crack. Swallow. Crack. Crack. Swallow. A blue jay shells peanuts and caches them in his expandable throat.

What is the yellow-bellied sapsucker still doing here?

There’s a sweetness to birders, like the time two women barreled across Heritage Park to make sure I’d seen the bald eagle.

Sign: Road ends in water.

Ice on a lake sings like someone playing one thousand saws.

Next to a white horse, a brown horse with a white face.

Out in the freshly tilled field: meadowlarks.

Through the dead grass, I see a man fishing.

A funeral procession passes as I stand in the field looking at meadowlarks.

Because the water is frozen, snow geese have landed in a field.

From a sparrow identification guide: The field sparrow’s song “sounds like a ball bouncing down to rest.”

I met a birder today on top of a dam. Her name is a combination of the words candelabra and mandolin. We saw pelicans.

Meadowlarks and starlings fly back and forth—low in the field—as if performing reiki on the earth.

Home: glass strike; no body. I am lousy with concern.

The woman with the beautiful name taught me how to pronounce the word merganser.

Rock pigeons stand on a frozen marsh.

Rural Kansas: the geometry of utility poles and power lines.

Baubles

Robin, by John James Audubon. Image used in accordance with U.S. public domain laws.

This time of year, American robins move in large flocks. They adorn bare trees all over our area. Last weekend, they came to our backyard in waves. Their washed-out orange underparts made it look like our sweetgum trees were covered in apricots. Stone fruit. Flesh clinging to a hard center clinging to a branch. I haven’t seen any robins for two days, but I know if I drove out to the nearest wetlands or even cruised across town, I’d see them clutching the trees, their legs like thick stems.

Last week, I learned how to tell the difference between the male and female robin. Each time half a dozen or more gathered at our birdbath, I practiced my identification skills. “Male, male, male, female, male.” Now that I know what I’m looking at, the distinction is obvious. Her coloration is so much softer, especially her head, which is greige as opposed to charcoal or sable. Still, more than four decades of my life passed before I could see anything other than a generic robin—the Platonic ideal of the bird, perhaps. I was not seeing them, only some loosely held idea of them that came to feel like seeing.

Robin. It’s a soft word, like a wool sweater on a cold night. A comfortable word for a bird who brought me comfort as a child. The muted browns. The rich oranges. These birds carried fall’s earthy color palette on their bodies along with the promise of all that fall is after the terrible brutality of a hot, dry summer—one in which emotions routinely got out of hand as oppressive days ground into stifling nights. Nothing mixed well with the heat: not exertion, not rest, not that last glass of vodka, not my parents’ dealings with one another or with me.

My mother loved robins and would shrill “Robin! Robin!” whenever she saw one at the birdbath. Not all birds received such a ceremonious reception. The robin was on my mother’s bird-celebrity shortlist, along with the northern cardinal and, in the number one spot, the scissor-tailed flycatcher, who was our state bird. I’m not sure how any birds made their way to that birdbath, let alone the ones my mother loved most. My father had bulldozed the backyard and veneered the soil with concrete. Like frosting, he skimmed the concrete with a mixture of pebbles and epoxy. He left two trees standing—a magnolia and a sweetgum. The latter died, most likely from the abuse of having its surface roots constricted. My mother put a birdbath where the sweetgum had been. Like its surroundings, the bath was made of concrete. She placed rust-colored lava rocks on the circle of exposed earth that had surrounded the tree. The birdbath rose from the rocks like a whimsical headstone. Bird sightings were few and far between, but now and again a desperate winged creature would traverse the concrete jungle for a few sips of water and a bath on a feverous day.

That was my introduction to birds. Ultimately, they were baubles to my mother, as I was her bauble. She never moved beyond her initial excitement about seeing birds to actually watching them. Like everything, they were accessories. Bird. Child. Earrings. A pair of strappy sandals into which she wedged her tumid feet. Each played the same role and had the same status. Birds were something to chirpily declare having seen—“I saw a cardinal today!”—as if, as an extension of herself, the birds made her more valuable than she was on her own. They weren’t something to care for, to learn about, to appreciate, to protect. They certainly weren’t something to be with or to go out of one’s way for. My mother never went into the woods or fields or grasslands looking for birds, leaving her own world in order to get a glimpse of theirs. With the exception of my father, everything that came and went in her life did so on her terms. She was a planet. Everything else was a celestial object pulled for a time into her orbit. So I grew up with vague impressions of a few birds, namely my mother’s favorites.

What my father contributed to my understanding of birds amounted to coddling purple martins while attempting to starve European starlings. The martins got a fancy hotel in the sky, as blinding in the sun as the crest of a wave on a bright day. Below, he set a trap for the starlings: a wire cage that allowed them to enter but not exit. The device was not unlike the hanging cages used in Europe during the medieval period. I ended the torture the day after my father caught his first starling. I couldn’t bear witness to that barbaric form of execution and not do something. I found an older child in the neighborhood who was able to reach the trap and convinced her to open it. I knew I’d pay later. I didn’t care. The bird flew off, and that meant everything to me. My father stopped putting the purple martin house up after that. Its green and white facade languished in the back corner of our property until he died, and for two decades thereafter. My mother hated it but couldn’t bring herself to remove it. Unlike the starling he tried to starve, my father died quickly. Heart attack. Two words like stones that I didn’t know until I knew them and he was gone, a bird set free from a trap.

We had two juvenile robins in our yard this summer. That was before I was serious about watching birds. These were just two of the animals we inherited when we purchased our house in June. They were adorable in the way baby birds always seem to be. They don’t know quite what to make of the world or their place in it. I can’t imagine experiencing and processing so much so quickly. Every day for them is life and death, not that they think about it in those terms. But something in them knows already, if “knows” is the right word, to be on alert. If they used language, verbs like “fly,” “dart,” and “take cover” would be central to their vocabulary. They would be governed by a lexicon of imperatives.

It’s hard to look at birds and not think about the trauma I’ve experienced and the ways it’s shaped me. My working vocabulary is not unlike the one I’ve imposed on them. I, too, dart and take cover when I sense danger, even when no danger is present. Perhaps this is why I feel so protective of birds, why I whisper prayers for them under my breath or plead with them to hang in there. “Please make it through the day,” I would say to the juvenile robins. “Just try.” Then I would look for them the next day and, seeing them, smile.

My relationship with the young robins was quieter and more intimate than the one I have with the flocks who’ve visited the yard recently. Those adults have come by the dozens for the sole purpose of drinking water then moving on. With each wave, a handful of starlings also arrived. They seemed to be shadowing the robins, perhaps to take advantage of their ability to find resources. Between the robins and the starlings, the whole yard was mobbed. It looked like a pointillist painting, each bird a dab of black or brown ink. My partner was intimidated by the crowd. I’m not sure the smaller birds appreciated it, either.

Birds are complicated. They aren’t the simplistic trinkets my mother took them for. What I know about them is changing with each day, each encounter. I’ve learned that they don’t sound the same from place to place. The dark-eyed juncos use calls in the country that they don’t use in my backyard. They don’t act the same, either. Within a species, some birds are bolder than others. Some appear to be teachers while others are more apt to watch and learn. Some take the opportunity to feed while others are sleeping. Some experiment while others go by the books. Complexity exists at the group level as well. Case in point: The sparrows are fighting right next to me at the window feeder. Hierarchy is being established and defended. One’s place in the hierarchy can mean the difference between surviving the winter and succumbing to its cruelties. As I watched the flocks of robins who swarmed my yard, I realized there were more social dynamics among them than I would ever understand. My knowledge of them is akin to looking into a room through a cracked door. I see some of the details, but I have no idea what the room really looks like.

My relationship with birds is growing more complicated. I thought I’d signed up for learning their names and how to identify them. But now I’m involved. I’m moving away from my mother’s “Robin! Robin!” approach and into something else. “Bird” is coming to mean something richer, stranger and more mysterious than it ever did when I was a child staring at a cement birdbath girdled by a cement lawn, a single bird writhing in the shallow water—though now that I think about it, the birds I watched as a child were just as rich, strange and mysterious as any. Fancy that.