Birds

My Dead

People love the rubber until the rubber meets the road.

I’m buying jade cicadas for all my dead is how I am.

My dead, carry me home. My dead, carry me home. Through fire, make me warm. Under water, make me fluid. Across earth, make me solid. From air, breathe your dead breath into me. Carry me home, my dead. Carry me home, my dead. I will carry you, too.

A physician who arrived on the scene after ICE agents shot Alex Pretti said the officers were not performing CPR. Instead, they appeared to be counting Pretti’s bullet wounds. (Sources: MedPage Today, Daily Kos)

I’m carrying my dead.

Birds need water as much as they need seed. Love needs action as much as it needs language.

The first murder was nearly half a million years ago, which shows violence has been in our nature since our ancestral humans. The blows were directed at the face so the killer could see who they were killing as they were doing the killing. Does it surprise me that the agent who fired the last five shots did so while Pretti was lying unresponsive and face up? Not at all. He wanted to see who he was killing as he was killing him, to see who he was destroying as he destroyed him. This is an old story. Hate is as old as love. But compassion had already evolved in our ancestors as sustained and long-term, as a way of showing commitment to others and surviving as a group. I believe our capacities for love and compassion are greater than our capacity for hate. I believe they can help us survive, even when that means surviving each other.

I’m so sad that I know this sadness cannot be entirely my own.

Wael Tarabishi

A man in the Oklahoma birding group just called a northern mockingbird his northern mockingfriend.

Holding in pee when I’m ten steps from the bathroom is how I am.

I think Utahns should bring back the whistling and whittling brigade, but only to get ICE out of the state.

I think I like poets about as much as I like librarians. I say that as a poet who almost studied library science and who’s been around a bunch of poets and worked in libraries alongside a bunch of librarians. I like what poets and librarians do. I like what they stand for. I just don’t expect much from either group when it counts. Look, words. Look, data. You know?

Weavers and birders on the other hand? Fuck yeah. All the fuck yeahs. Take umbrage with this post if you must. Take my disappointment, frustration, and annoyance, too, while you’re at it.

Of course I don’t mean any of this. I mean the weavers and birders part. They’re the folks I turn to when even caramel corn isn’t enough to see me through.

Who’s keeping me alive right now? Oklahoma birders, that’s who. They don’t just post photos of birds. They tell stories, like this one:

This roadrunner got under the hood of my Cutlass and rode all the way from Don and Loel’s house in Tuttle to my home in Moore, Oklahoma, and lived in our neighborhood for almost a year before disappearing.

That is the shit, my friends. A gem of a story in only thirty-eight words.

These typos in a post by Blue Ridge Wildlife Center are perfect: If you believe that loons can take off from land, is lie. Liar told you that. From now on forever, I am going to say Is lie. Liar told you that whenever the situation warrants it.

You know how you get a weird answer from a Magic 8 Ball, so you just jiggle it? I sometimes find myself wanting to jiggle people a little into a different mindset or behavior. Not violently. Just so their hollow icosahedron floating in its cobalt alcohol solution will land on a better face.

I’m eating a whole thing of caramel popcorn with my tongue so I can keep typing is how I am.

Carolyn Kizer didn’t shut up, either.

I know folks don’t mean to. That’s part of the problem.

Thank you for coming to my fuck you.

I dreamed I was at a rave but didn’t want to be, so I went outside and picked up dog poop from people’s lawns.

Hugging my weighted therapy dragon is how I am.

They all killed him. Every agent who harassed him, restrained him, kicked him. Maybe one of them shot. Maybe more than one. But they all killed him. They are all the shooter.

GestapICE.

Alex Jeffrey Pretti

Hundreds of words that translate to one: dismissal.

From a member of the Oklahoma Ornithological Society: Folks, we have a native songbird killing event starting tomorrow for many of the states in the United States. This is supposed to go for over a week in my area (Oklahoma). If you have nesting boxes up for bluebirds and other cavity nesters, consider adding a handful of clean, dry pine needles or straw for insulation. Make a bowl with your fist pushing the needles or straw up the sides. Also, do whatever you can to feed these native songbirds and offer fresh water. I use an old frypan with a small heater in it on my back deck rail and change it twice per day. I also have a larger birdbath in the yard that also has a heater in it. Good luck to everyone. Stay safe.

I keep misreading bandanas as bananas and wondering why I need to stock up on bananas to stay warm in style all winter long.

I dreamed I doubled as a fire extinguisher.

I mentioned assless chaps one time in a comment on a friend’s post, and now Facebook is showing me all these ads for assless chaps is how I am.

For me, the pronoun they works on many levels. One complaint about using they in the singular is that it’s grammatically incorrect. But is it? The mind is plural and decentralized. We may be one, but “I” may not even be a thing other than an understanding between us, a kind of “you there, me here” shorthand, a fiction that appears to simplify living. They is a better pronoun for me than he or she any day. It does more than help me escape the waist trainer of gender essentialism. It helps me remember that my mind is not one and never was and never will be.

When we lived in Seattle, everyone thought my life partner was Moby, especially at the health-food store. I was like THAT’S MY MOBY GET YOUR HANDS OFF MY MOBY.

Nobody owns language or its rhythms. It’s what we make it, all of us, not what power wants to make it.

I’m not ashamed to say I’ve prayed to God for my daily zero-sugar Cherry Coca-Cola.

I’m dipping turkey bacon in chocolate hummus is how I am.

Please can I just be plastinated now please please pretty please.

Can you guess what I’m doing based on what I’m wearing: a tank top, a tennis skirt, kneepads, a headlamp, slippery socks, my reading glasses, earplugs.

The other day, the life partner and I were watching television before bed when the remote control slid off the sofa and landed with a thud on the area rug. We were both silent as we tried to figure out what happened. Then the life partner said, in all seriousness, Detachable penis.

We heal together. We heal in community.

The purple gallinule found in Massachusetts who wasn’t named at the wildlife rescue where she was taken so the staff wouldn’t get attached to her? Her name is Tandy. I’m naming her Tandy.

I just misread a headline as Reducing Puppet Size May Help with Night Driving. I was like of course the puppets should be smaller so they don’t block the view, especially when it’s dark out. Pupil. The actual word was pupil.

Bewildering Cage is, as of this very moment, the title of the manuscript I’m working on. It fits with the body theme, the asylum/psychiatric hospital theme, with the gender identity/sexuality theme, and nature of existence theme. Thanks to Centa Therese for commenting on the Terrance Hayes poem that contains the phrase “bewildering a cage,” which I misread as “a bewildering cage,” so thanks, also, to my dyslexia. Massive thanks to Ren Wilding for reminding me we are galaxies. The galaxy itself may be a bewildering cage, but we can move around, and dance, in it. We just can. And we can talk like dolphins.

(Now I have the song “Here Comes the Rain Again” in my head, but with the lyrics changed to Talk to me / Like dolphins do / Walk with me / Like dolphins do. EEEEEEEEEEEE EEEE EEEEEEE.)

The Wasting (2016- )

Just trying to name this period in U.S. history. I think this works because it captures the wasting away of culture and the literal wasting of people in the streets.

From a Facebook ad for a dog carrier: Safety buckle prevents jump-out panic. We all need that buckle, Facebook. Every one of us has jump-out panic right now.

I am ill-equipped to hear this much talk about golf this early in the morning or ever really which is why I try not to leave the house if I can help it is how I am.

I’m doing the Safety Dance today. Ivan Doroschuk of Men in Hats wrote the song after being kicked out of a club for pogo dancing. It’s a protest against bouncers prohibiting the dance style. Often interpreted as anti-nuclear, Doroschuk says the song is more broadly anti-establishment.

I just gave myself an asthma attack by laughing too hard after doing an impression of a dolphin singing “My Sharona” is how I am.

People who are making comments like, Bring back the chokehold, can fuck all the way off.

Each success, no matter how small, in practice of what I love is a lightning strike against the dark. — Clare L. Martin

Each action, no matter how small, in service to the world is a lightning strike against tyranny. — Dana Henry Martin

Each action, no matter how small, in service to the world is a silver sound in the dark. — Ren Wilding

I organized my closet for five hours yesterday is how I am.

A birder in Oklahoma called scaled quail cottontops, and it’s the first time I’ve smiled in days.

A woman killed her six-year-old son and herself here in Utah yesterday in Canyonlands. No more. No more death. No more murder. No more horror. No more. No more. No more. No more. No more.

Her dog was in the back seat.

Today is one of those days in the desert when the wind sounds like a warning.

Poets are alive in their lines.

It’s hard in this desert rain to not feel the heavens have been slain.

We need to be together now, as poets, as creatives, as thinkers, as human beings. Whoever you turned to yesterday, whoever turned to you, may you all look back and realize that you helped each other go on. There is healing in being together during difficult times, unthinkable times. I was with two poets yesterday who made today possible by making yesterday less impossible. May Renée Nicole Good rest in peace. May we live in peace.

Listening to songs I first heard when everyone I knew and loved was still alive.

I dreamed poetry was outlawed in the United States.

There was a mass shooting in Salt Lake City last night outside an LDS church at a funeral. Two dead. Three hospitalized in critical condition. Three more injured.

Renee Nicole Good

Sometimes just by giving it language, you discover something within you that’s been waiting to be heard for a long time.

To be spared is to be pared, part of you left but part removed. To be spared means to pare, to reduce what happened to its essence and to find your own essence despite what happened. Injured but not killed. Damaged but not broken. Burned but not torched. You are what is left over, what you can afford to be, what you still have to give others. In Old English, spare means not enough. Were you not enough to be worth destroying or not enough after being destroyed? In Latin, pare means prepare. Do you feel prepared now that you’ve been skinned?

My weekly stats report from Grammarly: Grammarly analyzed 801,077 words. You were more productive than 99% of Grammarly users. If only some of those words were any good.

Writing makes the unspeakable speakable, survivable. I walk this line, this lettered terrain, until I find myself, for only then can you find me. Only then can I find you. Here we are in Ma time, in what’s happened and what could happen. The pause, the upbeat, the architecture of connecting and letting go. I’m waiting, bated, inked blood in my heart and on my tongue, reduced to vowels, then to a single sound. You know the one. That first utterance, O.

I’m about to buy my dog a treat-dispensing toy piano is how I am.

Could not sleep. Watched the news. What the fuck. I mean fuck. I mean fuck. What the fuck.

Meanwhile, in Utah: An artificial intelligence that writes police reports had some explaining to do earlier this month after it claimed a Heber City officer had shape-shifted into a frog.

This body doesn’t know which gender it is, so it’s using all of them.

(Adapted from John Gallaher’s Time doesn’t know which genre this is, / so it’s using all of them. Every time I read the word genre, I think it’s gender.)

I dreamed I accidentally dated the devil and thought he’d ruined my life, but then I yelled at him in front of everyone in a Walmart parking lot. He dove inside a gold Oldsmobile Cutlass and never came out again ever. So that’s where he is if you need to make a deal with him or whatever.


Humane Bug Trapper

Meanwhile, in Oklahoma, birders are calling owls “lil darlings,” and I’m here for it.

Happy New Year. Thank you all for making this one survivable.

I have to use binoculars to see the spines of the books on my high bookshelves is how I am.

I dreamed I asked someone to sign my copy of their chapbook. They were like, How do you spell your first name, Darling? Without thinking and without an ounce of humor or irony, I replied, S-A-D.

I know having a waterbed filled with zero sugar Cherry Coke that I can sleep on and drink from is impractical, but it’s what I want.

I’m stressing myself out in that way that I only am capable of stressing myself out is how I am.

Listening to Modeselektor on repeat is how I am.

Writing letters to my dead mother is how I am.

Facebook thinks I’m a library and is trying to furnish me.

Speaking the truth is not without consequences.

String art weirds me out.

More and more, I like less and less. 

Oh. It’s December 20. My mother died twenty-one years ago today.

I don’t think of myself as sans serif. I think of myself as serif-free.

I bought a replica of a medieval carnival badge called “Good Harvest.” Badges like this one supposedly provided protection and ensured prosperity. The one I ordered depicts a person driving a wheelbarrow full of phalluses along a road that’s a giant phallus with legs. That’s quite the harvest. During the Middle Ages, phalluses were believed to drive out evil and confer good luck. Badges like this one were popular in the fourteenth and fifteenth centuries. Google “medieval carnival badge” if you want to see an assortment of designs. There’s one that’s a vulva with legs walking around with a rosary in one hand and a phallic pilgrim’s staff in the other. That might be my favorite.

I really can’t see very well these days. I’ve needed glasses for years but have gotten around it by memorizing the eye chart right before the ophthalmologist comes in for my appointment. Today, I thought I was going to watch a program called “The Smurftown Tunes.” It was actually “The Situation Room” with Wolf Blitzer. Not at all what I was expecting.

This new font, Sans Gender, is hard-coded to replace more than one hundred needlessly gendered terms with inclusive terms. This font is so the boss of me. I don’t know if the font would allow me to say that, but it’s true. And something has to be the boss of me. Why not a font?

I see the poet who threatened me last year has a new collection out with a press that purports to be a safe space. Congratulations all around: to the poet, the press, and the community that makes it all happen.

CNN: Quit putting Hans Nichols on your program. He’s using the term “schizophrenic” right now to describe inconsistent behavior. That’s sanist and unacceptable.

The gash in my fitted sheet created by my rough heels has grown so long that one of my calves is now stuck in it. I could free myself, but that would require a teensy bit of physical and emotional effort. I think I’m just going to stay like this all day. My heels win. The gash wins. I’m going to nap like a cruel President.

The chair of psychiatry at the University of Oklahoma in my hometown was a consultant for MKUltra. My friend told me this today. I’m super weirded out about it. My mother may have known him. He also killed an elephant at the Oklahoma City Zoo with a large dose of LSD.

There are pyrrhuloxias in Oklahoma. Hot damn.

The Nazis used the font Fraktur and its variations for their propaganda, including Mein Kampf, but banned it in 1941 for being “judenlettter,” which translates to “Jewish letters,” meaning it was linked to Jewish printers and writers, so an edict was issued to replace the font with Roman styles, which were required for all Nazi communications throughout Europe.

Now, the ousted font is one that’s accessible to people with disabilities. And its replacement is a Roman style. This is significant. This is eerie. This is history repeating itself.

It’s good to know fascism has a font. I’m still on the font thing.

Literary journals and presses that require all submissions to be set in Times New Roman may want to rethink that requirement. It’s not an accessible font for those with reading issues and learning disabilities. And now it carries an ugly political connotation to boot.

Dear Leader, I found a readable font family called Sans Gender that works for me as a dyslexic nonbinary individual, and yes I am buying it. And no, you can’t stop me. Take your Times New Roman and be on your way.

Keep your hate font away from me.

Well, I know what font I won’t be using moving forward.

Walan the wombat has stopped having panic attacks, has started doing zoomies, and is now shaking his head back and forth, which is a sign he feels happy and secure. He’s also been playing with other baby wombats. I’ll tag you on his latest video if you want to see it. And no. I’m not crying. Not even a little.

I am going to Thomas Merton myself into hermitage until I no longer say and do all the wrong things.

Yesterday in Utah, a skier had to be rescued from a crevasse, and a hiker had to be rescued from quicksand. This is why I say inside.

Hacking my gut microbiota with apple cider vinegar is how I am.

Dear New York Times: Cookies are delicious, but “cookie” is not a season. Thank you for your attention to this matter.

Department of Injustice

Watching a video of a nudibranch pooping is how I am.

Apparently, the FDA is practicing evidenceless-based science now.

In the Oklahoma birding group, someone posts a photo of a dead white-throated sparrow they’ve found at their campsite, hoping to get an ID. Someone IDs the bird. Someone posts a quote from the Bible: Not even the sparrow falls to the ground without God’s notice and care. Someone posts a painting they created based on that Bible verse, an unassuming sparrow looking up into a shaft of light. A funeral of sorts is held for the sparrow. A space opens up in the group for mourning and love. This is deep birding, not the run-of-the-mill look at my beautiful bird photography skills found in other birding groups.

Sometimes, all I can say about a poem is that it exists.

I just misread a headline as “Hummus: A Monstrous History,” and everything I thought I knew about hummus flashed before my eyes before being supplanted with a darkness I could only imagine and barely fathom. But no worries. It was just humans in that headline. Not hummus. We’re all good. Enjoy your hummus, monsters.

The rock fracture at Yosemite National Park is actively occurring. Meanwhile, I am passively occurring. We all have our way, Yosemite.

As an aside, look at this glorious language. Geologists dispatched to the area of the fracture said they could hear it cracking like a frozen lake that wasn’t consolidated. That description must absolutely be used in a poem.

TFW you wake up in the morning and suddenly remember you shared one of your poems on Facebook the night before.

I’m totally involved in the life of a sick baby wombat named Walan is how I am.

I’m buying a humane catch-and-release bug trapper is how I am.


Salt Pyramid

In Hurricane, Utah, two dozen or so children and their parents were playing music and cheering drivers on from the side of the road. They were waving homemade signs that said things like “You Matter,” “You Are Loved,” and “Keep Going.” We drove past them twice on our way to run an errand. I cried twice, that I did.

I love my new phone Aluminium so much that I have a special stuffed dragon whose only job is to cradle her all day. Was she in that cradle just now? No. Did I knock her over and make her fall on my keyboard screen first? Yes. Is she OK? Too soon to tell. She may be scratched. Her protective cover flap wasn’t pulled over her darling face. How do I feel about myself right now? Not super, dude.

I wrapped my king-sized chenille blanket around my waist and am wearing it like a sarong is how I am.

Sentence from my dream: Like gods in Greek myths, we are gilded, guilted, and gutted.

You’d think I’d put all my dopamine to better use, but no. I make fiddly spreadsheets.

I’m doing a deep dive into facts and fictions about the Osage orange is how I am.

A list of my bad habits:

1. All of them.

Had a wild night. Didn’t take my mascara off until 10:12 p.m.

I got stars on my ceiling, baby. I got a nebula. Come over and be one with everything.

I wrote this in 2008 when everything hit the fan. Well, not everything, clearly. There’s a lot more on that fan now, and more is hitting it every day:

“If you have made the choice to be a poet, you have made the choice to enter into a certain way of being alive. Don’t forget that. If we forget that, we are lost.”

I put my hoodie on backwards and had the life partner zipper me to my office chair until I got my chapbook No Sea Here finalized and off to Moon in the Rye Press.

It worked. The file has been finalized.

And I’m still zippered in. I kind of like it. Am I in a dominance and submission relationship with poetry? Of course I am.

The new fire alarms the life partner installed because the old fire alarms kept going off In the middle of the night just went off in the middle of the night. I fell over trying to get my jeans on so I could assess the situation. My left foot got caught up on the hole in the knee, and down I went. Lexi is in wild-animal panic mode. The life partner is basically sleepwalking around the house in a daze, still wearing only his boxer briefs.

I just read a poem about birds by Lisa Bickmore to two birders and their pet bird. Don’t tell me poems can’t be part of our daily lives.

The life partner is outside with two birders and an actual bird who are applying bird-safe film to our windows. Huge thanks to Great Salt Lake Audubon for helping us get this film up before the winter birds arrive.

For those of us who enjoy a broader than average* spectrum in terms of mood, energy, and intellect—which can be both a gift and, at times, a difficulty—you’ll be happy to know the fall equinox is tomorrow. That means day lengths will level out, so we will no longer be in freefall day after day where light levels are concerned. You did it. We did it. Now let’s rock fall bigitme.

—

* Whatever average is. That depends on who’s making that assessment and according to what criteria.

𐎼𐎤 𐎠𐎱𐎤 𐎥𐎨𐎱𐎤
𐎼𐎤 𐎡𐎸𐎱𐎭
𐎼𐎨𐏂𐎧𐎮𐎸𐏂 𐎠𐎨𐎱

I’m trying to figure out cuneiform syllabograms in case we need to learn a secret language, but I don’t think any of this is right. It’s supposed to read:

we are fire
we burn
without air

Fall hard? Get up harder.

The life partner to me just now: Will you smell my thumb and tell me if it smells like peanut butter?

My heels are so rough I tore a big gash in my fitted sheet while I was sleeping. Again.

I wake with my underwear somehow so much the victim of overnight shifting that it’s 100% not where it’s designed to be and 100% where it’s not designed to be.

I may be the Utahn Utahns don’t want, but I’m still a Utahn. The past few days have proven that to me. I’m saying things like “my community” and meaning it.

From MedPage Today: Doc Has Sex Mid-Surgery.

This country has jumped the shark.

I was told this morning that I’m borrowing the label of sanism. Howso? I live with trauma and bipolar. I’m not appropriating anything. How can anyone have read my poetry and my writing, including my writing here, for the past two years, as this man did, and not understand that I have mental-health diagnostic labels and lived experience?

A male poet just messaged me to insist their sanist behavior isn’t sanist. It was a vitriolic message based on my posts yesterday about the forms sanism takes. This is an accomplished poet many of you read with, admire, and engage with daily.

Social media was 4channed years ago. Our culture in general is more 4chan than most of us realize. Our politics are def 4chan.

This week, I’ve been told I should be euthanized. I’ve been told I’m spreading hatred. I’ve been told I’m the problem (in reference to the shooting). I’ve been told I seek easy answers. I’ve been told I want to stay in my comfort zone. I’ve been told I’m responsible for Southern Utah’s culture, including its flaws and limitations.

We say we don’t know anything about 4chan culture, but so many of us are 4chan to a T. Like the boys and young men the 4chan subculture targets, we’ve made a hard turn away from compassion and toward a nihilism that has no end other than destruction—of each other and the world.

I’ll never believe my life has no purpose and love has no meaning, so 4chan me all you want. You won’t turn me.

To every thing there is a hot take, and a time for every hot take under Heaven. But once you have actual information, the time for your hot takes is over.

Intelligence in part means seeking out and synthesizing new information rather than clinging doggedly to what’s outdated.

What you left inside me: nail clippings, cigarette butts, used condoms, whiskey, anything that oozed from you and your friends.

When I die, preserve my mouth so science can thaw it one day and remember what it sounded like when people fought, when they screamed.

Print me out some new lungs so I can scream better, scream harder, scream longer.

Brian Kilmeade, are you sorry? Are you really, really sorry? Why do I have a hard time believing those words just slipped from your lips and that you know the first thing about what it means to be compassionate?

I’m commiserating with the screeching white-tailed antelope ground squirrel is how I am.

Men, which I mean conceptually, stop trying to roll your word-stones into my mouth. It’s a Sisyphean task, and I won’t gag on your “wisdom.”

I’m listening to The Crystal Method’s album Tweekend is how I am.

The things you don’t know about are often things you don’t know about because you can afford to not know about them. Ask someone who’s affected by the things you don’t know about. Odds are, they know about those things because they can’t afford not to know about those things. Your erasures and omissions are another form of othering, one that enables discrimination.

I rolled a ketogenic pizza up like a burrito and am eating the whole thing is how I am.

Poets: Be aware of intrinsic sanism in the spaces you create when you bring poets together to share work, to create, to teach, and to learn. Try to identify sanism the way you are able to identify other forms of discrimination. Try to create spaces that welcome everyone, even those with mental-health diagnostic labels and lived experiences.

Fox News host Brian Kilmeade said during a segment about those affected by the July 24 executive order, which affects those who are unhoused, who have mental-health diagnostic labels, and who have substance-abuse issues: Or involuntary lethal injection or something. Just kill them.

It gets worse: Joseph Massey wrote a poem eulogizing Charlie Kirk.

I’m listening to Depeche Mode’s “Clean” on repeat is how I am.

An unexpected Duran Duran song is like a drink of cold water straight from a hose in this dumpster-fire country.

You know who tells you the news before law enforcement and news outlets? Dictators. That’s who.

I dreamed poetry was a pile of salt the size of a pyramid, and I was forced to eat all of it.

Folks who discard you when you speak your truth? Duck ’em. Of course I don’t mean duck. That’s a typo. But come to think of it, also duck ’em.

I’m watching a bat drink tomato juice is how I am.

I love that moment when someone sees me as safe and code switches while interacting with me.

I dreamed a poet was making me do pull-ups in a doorway and yelling, You need strong arms to write strong poems.

Hate speech is never free.

My seer stones tell me there’s going to be a lot of unfriending and blocking on Facebook over the next few days.

The Venezuelan boat turned around. It turned around and we shot it. And here’s a face cream. And here’s an AI that’s made to be you and that can fix you by being you even more than you are you. And here’s a fob you can use to secretly record everyone. And here’s a deal for seniors. And here are some fitness classes. And here’s a thing for stripping the leaves off rosemary. And we shot the boat. And we hit it. And it sank. After it turned around. We shot it better than ourselves, better than we are at shooting. We are AI made to strip the world. We are recording you. Seniors are a deal now more than ever. We make them wear our faces. Our fitness depends on them. Leave secretly or we will hit you, cream you. After you turn around, keep turning. You’re out of thyme.

At least my brother gave me a unisex first name. And my family says it the way that’s typically associated with the masculine pronunciation, “DAY-nuh,” as opposed to the feminine pronunciation, “DAH-nuh.”

Why did my brother name me? There’s a long story behind that. Of course there is. In my family, there’s a long story behind everything. Our stories are like arm fat just waiting to be squeezed out from behind a tightened tourniquet and into the light of day.

Your memory keeps my body on its knees.

It’s only 80 degrees here in the desert this morning WHERE IS MY PARKA

It’s like everyone’s trying to get through the gate even though there’s no fence.

Why didn’t anyone tell me there are more than six stress patterns in poetry? That’s all I’ve been working with for years. I didn’t even know about the existence of the amphibrach, antibacchius, bacchius, cretic, molossus, and trilbrach. Who here knew about any or all of those?

I mean verse is right there in the word for all that is. It’s not the uniprose, for crying out loud.

I just saw a horrifying ad here on Facebook for an AI twin. It’s supposed to be a copy of your mind and train you to know yourself more deeply than you know yourself—by being you. Get me out of this skibidi timeline.

It just occurred to me that establishment poetry is a function of institutionalism. Institutionalists created it. Institutionalists perpetuate it. Institutionalists seek it out, dream about it, crave it, feel incomplete without it. It’s like a government in that way. Or a religion.

People are yelling at Mitt Romney in a Salt Lake Tribune post here on Facebook, and I’m all ready to go defend my man.

My doctor’s medical assistant sang me “The Name Game” song using my name today. So yeah. I’m going back there.

I found a fascinating thesis about Communism, poetry, and the Oklahoma Writers’ Project from 1935–1938.

Corn moon has everyone acting happy in St. George, Utah.

Corn moon had me nightmaring about poets in the wee hours. I was doubled over from physical and existential pain on the floor of a library in Cedar City, Utah. Poets were kicking me as they walked by. A librarian finally opened a nearby elevator and rolled me into it so I’d be out of the way as the poets continued having their important discussions about poetry.

Trans people are people.

I see the poetry establishment as a nucleus. As cells age, the nucleus of each cell accumulates abnormal molecules that are toxic to the cells themselves. So yes. The poetry establishment—the core of poetry so many aspire to, which is part real and part myth—is a nucleus, and an old one at that.

He’s a comics scholar and one-time critical theorist who’s into graphic medicine and knows which way the toilet paper roll goes? Oh yeah, baby.

/me bites lip

I love the folks over at Bluesky.

This afternoon, I was listening to my favorite Bo Burnham song, “All Eyes on Me,” when the life partner interrupted me to tell me that—wait for it—I need to remember to change out the new fire alarms in 2035.

I’ll be dead by then, he said. You’re going to have to remember to do this.

And this is what I mean when I say ours is a household informed by various and sundry anxieties.

I’m watching an American mink open up Easter eggs filled with treats. This will carry me through the night and into tomorrow.

Through me, my mother is half alive. Through my mother, I am half dead.

I just misread COVID vaccine as mood swing is how I am.

In rooms full of men, my body becomes something other than my own.

Every word I write makes the world both more and less accessible.

Bless the birds who are migrating thousands of miles to their winter lands.

What light is left in this world.

We are ghosts haunting our present with our past.

Incrementally, Tenderly

Morning Prayer September 21, 2024

In the fall, Tucson smells like mildew, dirt, and cold metal. The wildlands behind our home are full of mouldering plant matter, animal matter, too. Every morning here is like an episode of my favorite series ever, Sunrise Earth, which aired on PBS years ago. The earth wakes up the same way everywhere: incrementally, tenderly, and without assistance from humans.

The coyotes are howling. They’ve been like this for days. They made it to fall. They’re anticipating winter, perhaps, bodily if not consciously. The moon has been big and glorious, which has affected us all, especially, it seems, the coyotes.

It’s like Sunrise Earth here with the birds calling and singing and buzzing, first the curve-billed thrashers, then the northern cardinals, then the house finches and the cactus wrens and the gila woodpeckers. A northern flicker even joined the crowd today, a rare treat.

The birds sing more as the sun rises higher, until it’s above the saguaros and palo verde trees. They sing until they stop, either because the sun is where it’s supposed to be and singing time is over or because the Cooper’s hawk has made an appearance. The birds are alarm clocks. They have a collective circadian rhythm that’s entrained on dawn. They help me keep my body clocks in sync and in working order.

Human sounds are here, too, which is where these mornings diverge from the Sunrise Earth episodes. Cars, too many of them, speed along Old Spanish Trail anticipating or dreading where they’re headed. Someone operates a chainsaw next door, an undertaking that started before six in the morning. If only humans would stop and watch the sunrise for five minutes and be part of the earth rather than setting themselves apart from it. I don’t know what that might change, but it might change us.

May we all be part of the Earth today. May we find a way to anchor ourselves on this planet and the lands we inhabit. My we be of this world, not separate from it.

Baltic Amber

She tells me her name. It’s a faux portmanteau of candle and mandolin. She uses her digital SLR to show me a bufflehead, a common goldeneye, and a scaup. We don’t know one another, but we are the only two people standing on top of Clinton Dam which, at eight hundred seventy-five feet, towers over Clinton Lake. We are here to watch waterfowl. That’s as good a formula for a fast acquaintanceship as any. Bird lovers talk to one another. We’re an endogenous group with overlapping interests that include conservation, education, outdoorsmanship, and a good-hearted love of birds (with a bit of competition thrown into the mix). I’ve seen folks pull up beside one another in popular birding areas to share information on what birds are present and where they are located. “Seen anything interesting” is a common refrain. That’s exactly what the woman on the dam said to me before introducing herself.

It’s supposed to be in the forties, but it isn’t. At this height, the wind cuts right through my layers. It might as well be in the low teens. I don’t feel like a warm-blooded creature. This is how the stones on the side of the dam must feel, losing all their heat to the frigid air and thereby becoming the essence of frigidity. I jump up and down to stay warm. It’s a futile endeavor. My body heat flows into the surrounding air.

Lake Clinton was built under the Flood Control Act of 1962 by damming the Wakarusa River. Funds were allocated the year I was born, just one state to the south, where we’d had a recreational reservoir since 1944. My family adored that bloated watering hole, whose creation necessitated the flooding of four towns. Artifacts from those engorged ghost towns still sit at the bottom of the lake, including marble tombstones that emerged a few years ago during a drought. The creation of Lake Clinton required destruction as well. Ten communities were wiped out with the lake’s development, as well as rich histories, such as underground railroad sites. The Wakarusa River Valley Heritage Museum now operates out of an old milk shed that was once part of Bloomington, one of the towns washed away when the lake was filled. The historic house the shed belonged to was razed by the U.S. Corps of Engineers in 1981 after agreeing to renovate it.

It’s only my third trip here. I made the most recent one yesterday with my partner. Somehow, we managed to miss the turnout on the dam, which is one of the lake’s best spots for watching birds. When I got home, I realized our mistake and decided to come back out on my own. Birding is different alone. There’s something both calming and unsettling about looking for birds without a partner. There’s a kind of intimacy in finding a bird and sharing that experience with the person you love. It’s nice to run into other bird lovers, in part because they are so enthusiastic and in part because it takes the edge off the loneliness that can accompany solo birding. But it’s not the same as being out with my partner. I have more time to think, for one thing, which is both good and bad, depending on the thought.

Off to the right, the woman and I see two American white pelicans. To the left, a great blue heron flies in and lands on the rocky shore. The heron was here yesterday, too. The woman and I talk about how surprising it is to see a heron in such cold weather. My worry is evident in my voice, which cracks from more than the cold. I’m concerned that our unusually warm weather has affected migration timing and that many birds, not just this heron, are now in danger. In a matter of days, the temperature has plunged from the forties and fifties to the single digits, with subzero temperatures on the way. The woman and I talk about how cold we are before drifting back to our respective cars and cranking the heat. She drives away. I am on my own now, again.

I make my way up and over the lake to an area called Bloomington West. It takes longer than I expect. “Alone, alone, alone.” The word pecks at the deadwood in my head. I realize this is the first time I’ve done anything on my own since I experienced a period of great trauma in 2015. After that year, I retreated into what was safe and comfortable—into myself, mostly, and away from other people. I didn’t know a pair of binoculars would send me back out into the world—alone, alone—no less. This open-ended time is terrifying on some levels but also healing. I felt like the earth is putting me back together bone by bone, like a someone preparing a bird skeleton for display at a local nature center.

On the road, a man approaches from behind, fast. I’m going the speed limit, but he wants me to drive faster. Now I am not alone, and I want alone to return. Alone suddenly feels like an empty nest, safe and solitudinous. I worry about being out here at the lake and meandering through the rural areas that surround it. How easy it would be for someone to mess with a woman, with me. I feel old traumas speaking through my body, marks left by the men who have harmed me. Some experts call what I am experiencing the sequelae of trauma. Others call it post-traumatic stress disorder. The language I use is different. My trauma is subjective, not objective. It is visceral, not clinical. Psychologists don’t capture my experience any better than the authors of the DSM. I think about the eyes of the Cooper’s hawk who hunts behind my yard. They are the color of Baltic amber. I imagine my body is made of amber that, over time, has grown around what it has encountered, each occlusion an infraction—something forced, something taken, something threatened, something denied. The body is still there but so is what the body has been through, what it remembers. I have hardened around these memories.

I turn on a street with a funny name: E 251st Diagonal Road. The man is still behind me. I turn again, onto a road that will take me to the shore. The man keeps going straight. “Alone,” I exhale, as if the word were a mantra. I pass a newly tilled field and scare up countless meadowlarks and European starlings. They skim the field’s teased surface. I continue all the way to the lake, past a sign that reads “Road ends in water.” Perfect. A road to no-road feels existential in this moment. At the water’s edge, there’s another sign. This one says parking is not allowed at any time. I see nobody, anywhere. There aren’t even boats on the parts of the lake that haven’t frozen over. I park the car and step onto a wooden loading dock. Its yellow poles are as bright as a red-shouldered hawk’s legs and feet. The rest of the scenery is hazy, as if someone is holding a sheet of onion skin paper between me and the world. At first, I hear nothing. Then, there is noise everywhere—around me, beneath me, near, far. All at once, it sounds like singing and cracking and heavenly voices mixed with ghostly nightmare cries. My heart feels like a heron slipping on a frozen marsh until I place the sounds. It’s the water freezing, the everywhere sound of solidification. Imaging one thousand people bending saws and one hundred sticks cracking all at once. This is what the Sirens must have sounded like. Enchanted to the point of being driven mad, those poor sailors never stood a chance.

Now that I understand what I am hearing, the terror turns to strange beauty. This unsettling and unexpected improvisation has reduced my lexicon to a single word: “Wow.” I say it over and over. I look up from the ice to take in this abandoned corner of the freezing lake and see a tree full of bald eagles. I say wow again. And again. One eagle flies away. Another flies in. I see one in another tree. I see one on the ice. Wow. Part of me wishes my partner was here. Part of me wishes the woman I’d met on the dam was here. I know she would love this. But those parts are easily subverted. In truth, I want this experience all to myself, and I have it all to myself. The eagles. The lake. The haunting ice. And me.

I drive by Bloomington East, past the closed Wakarusa River Valley Heritage Museum, before heading out the way I came in. I stop the car in front of the field where I saw the meadowlarks and schlep into the freshly turned soil, aware that I am trespassing. I watch groups of starlings and meadowlarks skim the surface of the land, first left, then right. Through the binoculars, the birds don’t look real. The starlings are on one plane and the meadowlarks on another, like two paintings on separate sheets of glass with a space between them. I feel like I’m looking at an image in a View-Master. Not 3D, not really. Not the world the way the human eye and mind see and understand it. The binoculars create a beautiful distortion that turns the world into a piece of modern art.

I turn to walk back to the road. I think I see a party limo, but there’s a casket in the back. It’s a white hearse with a dancing neon license plate cover. A trail of cars follows. Ordinary cars. Nothing festive about them. They are the kinds of cars people in rural areas drive, ones that sit high off the ground, get around in all types of terrain and weather, and are always dirty. The occupants of the vehicles look sad and also a little irritated about passing a stranger standing where she has no business standing. Heavy with impatience and shame, I wait in the space that separates the life in the field from the death snaking beside it. The procession passes. I get in my car.

My road does not end in water, not today. I drive back the way I came. Hawks perch in the trees and on power lines along the highway. They give way to rock pigeons, then starlings. I arrive home in time to see a white-breasted nuthatch and a Carolina wren in the yard. It gets darker. Only the northern cardinals remain. Then they leave. Darker still. I see a mourning dove on the edge of the birdbath. Then nothing.

Baubles

Robin, by John James Audubon. Image used in accordance with U.S. public domain laws.

This time of year, American robins move in large flocks. They adorn bare trees all over our area. Last weekend, they came to our backyard in waves. Their washed-out orange underparts made it look like our sweetgum trees were covered in apricots. Stone fruit. Flesh clinging to a hard center clinging to a branch. I haven’t seen any robins for two days, but I know if I drove out to the nearest wetlands or even cruised across town, I’d see them clutching the trees, their legs like thick stems.

Last week, I learned how to tell the difference between the male and female robin. Each time half a dozen or more gathered at our birdbath, I practiced my identification skills. “Male, male, male, female, male.” Now that I know what I’m looking at, the distinction is obvious. Her coloration is so much softer, especially her head, which is greige as opposed to charcoal or sable. Still, more than four decades of my life passed before I could see anything other than a generic robin—the Platonic ideal of the bird, perhaps. I was not seeing them, only some loosely held idea of them that came to feel like seeing.

Robin. It’s a soft word, like a wool sweater on a cold night. A comfortable word for a bird who brought me comfort as a child. The muted browns. The rich oranges. These birds carried fall’s earthy color palette on their bodies along with the promise of all that fall is after the terrible brutality of a hot, dry summer—one in which emotions routinely got out of hand as oppressive days ground into stifling nights. Nothing mixed well with the heat: not exertion, not rest, not that last glass of vodka, not my parents’ dealings with one another or with me.

My mother loved robins and would shrill “Robin! Robin!” whenever she saw one at the birdbath. Not all birds received such a ceremonious reception. The robin was on my mother’s bird-celebrity shortlist, along with the northern cardinal and, in the number one spot, the scissor-tailed flycatcher, who was our state bird. I’m not sure how any birds made their way to that birdbath, let alone the ones my mother loved most. My father had bulldozed the backyard and veneered the soil with concrete. Like frosting, he skimmed the concrete with a mixture of pebbles and epoxy. He left two trees standing—a magnolia and a sweetgum. The latter died, most likely from the abuse of having its surface roots constricted. My mother put a birdbath where the sweetgum had been. Like its surroundings, the bath was made of concrete. She placed rust-colored lava rocks on the circle of exposed earth that had surrounded the tree. The birdbath rose from the rocks like a whimsical headstone. Bird sightings were few and far between, but now and again a desperate winged creature would traverse the concrete jungle for a few sips of water and a bath on a feverous day.

That was my introduction to birds. Ultimately, they were baubles to my mother, as I was her bauble. She never moved beyond her initial excitement about seeing birds to actually watching them. Like everything, they were accessories. Bird. Child. Earrings. A pair of strappy sandals into which she wedged her tumid feet. Each played the same role and had the same status. Birds were something to chirpily declare having seen—“I saw a cardinal today!”—as if, as an extension of herself, the birds made her more valuable than she was on her own. They weren’t something to care for, to learn about, to appreciate, to protect. They certainly weren’t something to be with or to go out of one’s way for. My mother never went into the woods or fields or grasslands looking for birds, leaving her own world in order to get a glimpse of theirs. With the exception of my father, everything that came and went in her life did so on her terms. She was a planet. Everything else was a celestial object pulled for a time into her orbit. So I grew up with vague impressions of a few birds, namely my mother’s favorites.

What my father contributed to my understanding of birds amounted to coddling purple martins while attempting to starve European starlings. The martins got a fancy hotel in the sky, as blinding in the sun as the crest of a wave on a bright day. Below, he set a trap for the starlings: a wire cage that allowed them to enter but not exit. The device was not unlike the hanging cages used in Europe during the medieval period. I ended the torture the day after my father caught his first starling. I couldn’t bear witness to that barbaric form of execution and not do something. I found an older child in the neighborhood who was able to reach the trap and convinced her to open it. I knew I’d pay later. I didn’t care. The bird flew off, and that meant everything to me. My father stopped putting the purple martin house up after that. Its green and white facade languished in the back corner of our property until he died, and for two decades thereafter. My mother hated it but couldn’t bring herself to remove it. Unlike the starling he tried to starve, my father died quickly. Heart attack. Two words like stones that I didn’t know until I knew them and he was gone, a bird set free from a trap.

We had two juvenile robins in our yard this summer. That was before I was serious about watching birds. These were just two of the animals we inherited when we purchased our house in June. They were adorable in the way baby birds always seem to be. They don’t know quite what to make of the world or their place in it. I can’t imagine experiencing and processing so much so quickly. Every day for them is life and death, not that they think about it in those terms. But something in them knows already, if “knows” is the right word, to be on alert. If they used language, verbs like “fly,” “dart,” and “take cover” would be central to their vocabulary. They would be governed by a lexicon of imperatives.

It’s hard to look at birds and not think about the trauma I’ve experienced and the ways it’s shaped me. My working vocabulary is not unlike the one I’ve imposed on them. I, too, dart and take cover when I sense danger, even when no danger is present. Perhaps this is why I feel so protective of birds, why I whisper prayers for them under my breath or plead with them to hang in there. “Please make it through the day,” I would say to the juvenile robins. “Just try.” Then I would look for them the next day and, seeing them, smile.

My relationship with the young robins was quieter and more intimate than the one I have with the flocks who’ve visited the yard recently. Those adults have come by the dozens for the sole purpose of drinking water then moving on. With each wave, a handful of starlings also arrived. They seemed to be shadowing the robins, perhaps to take advantage of their ability to find resources. Between the robins and the starlings, the whole yard was mobbed. It looked like a pointillist painting, each bird a dab of black or brown ink. My partner was intimidated by the crowd. I’m not sure the smaller birds appreciated it, either.

Birds are complicated. They aren’t the simplistic trinkets my mother took them for. What I know about them is changing with each day, each encounter. I’ve learned that they don’t sound the same from place to place. The dark-eyed juncos use calls in the country that they don’t use in my backyard. They don’t act the same, either. Within a species, some birds are bolder than others. Some appear to be teachers while others are more apt to watch and learn. Some take the opportunity to feed while others are sleeping. Some experiment while others go by the books. Complexity exists at the group level as well. Case in point: The sparrows are fighting right next to me at the window feeder. Hierarchy is being established and defended. One’s place in the hierarchy can mean the difference between surviving the winter and succumbing to its cruelties. As I watched the flocks of robins who swarmed my yard, I realized there were more social dynamics among them than I would ever understand. My knowledge of them is akin to looking into a room through a cracked door. I see some of the details, but I have no idea what the room really looks like.

My relationship with birds is growing more complicated. I thought I’d signed up for learning their names and how to identify them. But now I’m involved. I’m moving away from my mother’s “Robin! Robin!” approach and into something else. “Bird” is coming to mean something richer, stranger and more mysterious than it ever did when I was a child staring at a cement birdbath girdled by a cement lawn, a single bird writhing in the shallow water—though now that I think about it, the birds I watched as a child were just as rich, strange and mysterious as any. Fancy that.

Midfield

I want to tell you about the birds, the ones I’ve been watching for months now, as closely as I’ve ever watched anything. There is a stillness when I watch them—their presence demands mine. But there is everything else, too. What stirs in them stirs in me, emotions that fall beyond the reach of language.

It started with desire. For years, I’d wanted to know the names of birds, to be able to identify them. To know things, we must start with learning their names. Only then can we unlearn the names and understand the thing being experienced, as well as the thing doing the experiencing—that thing we call the self.

A pair of binoculars arrived in the mail this fall, along with a set of bird identification flashcards. Both were gifts from my partner. I spliced memorizing the cards with staring out my window through the binoculars. My days were woven in this way: memorize, stare, memorize, stare. I ran my fingers over the birds’ printed forms while saying their names. Fox sparrow. House sparrow.1 Lark sparrow. White-throated sparrow. I had no idea there were so many sparrows. At first, my yard only offered up house sparrows. Eventually, a pair of white-throated sparrows arrived and dazzled me with their black-and-white helmets. Thrilled that I could identify them, I screamed their name in the style of a blue jay’s alarm call: “White-throated sparrow! White-throated sparrow!” The soundwaves my voice created hit the glass in front of me. The pane indifferently refracted the vibrations.

My world swelled after I realized there was more than one type of sparrow. How crude was my perception that I had lumped so many species into one? I widened my search from my backyard to area parks, meadows, tallgrass prairies, wetlands, and wildlife refuges waiting for the quiet to be parted by a sound akin to a flutist trilling while playing wind tones on her instrument. No note, just the airy pairing of consonants amplified by the flute’s long silver body. “Trrrrrr, trrrrrr.” The trills lasted a few seconds, long enough for a sparrow to move from the meadow to a nearby tree, or from a blade of grass to the water, or simply to move away from me. “Trrrrrr, trrrrrr.” A scramble of wings. Most of the time, I saw no more than a smear of color, like someone swiping oil paints with his thumb. Then nothing. Silence returned. It was a companion, this silence. I came to feel as if both of us were waiting for another bird to stir—to relieve my disquiet and to relieve silence of the burden of being silence.

Not every sparrow was a smear. I saw my first savannah sparrows at Heritage Park, where they foraged in patchy grass near an old brick silo. Like an accent color used sparingly, yellow patches above their eyes elevated their otherwise drab appearance. I first saw Harris’s sparrows at the Tallgrass Prairie Nature Preserve. They scurried into a group of shrubs as my partner and I drove past. They seemed to pose as I trained my binoculars on them. One had the darkest face and crown of any Harris’s sparrow I’ve seen so far, features that would ensure a high rank among his quarrel. The wheat-colored spots on either side of his head made him look like he was wearing earmuffs.

I saw white-crowned sparrows for the first time at the preserve where I saw the Harris’s sparrows. They were part of a flutter mobbing the feeder outside the educational center. My first fox sparrow surprised me at Longview Lake. I hadn’t heard its trill as it left the meadow, but suddenly it poked its head out of an evergreen just above me. “This is the red sparrow,” I thought. “Red, red, red. Red like the fox.” That was the same day we saw a rangy coyote on the side of the highway. How slow the animal seemed, how sapless, a stark contrast to the birds in the meadow.

Loess Bluffs National Wildlife Preserve gave me my first song sparrows. My first chipping sparrows hugged the water at the KCP&L Wetlands, a visit that was also notable because of the racist and anti-Semitic graffiti someone had carved into the bird blind at the wetland’s entrance.

Baker Wetlands offered up the shy Le Conte’s sparrow, whom I happened upon as I was taking a photo of the switchgrass next to a mowed path. He balanced between two blades, one foot on each, exposing his blond breast and white belly. He sang, but I don’t remember his song. I was overcome by his beauty: his soft gold face and striped crown, the patchwork of browns on his back that reminded me of the mottling on a hawk, his cocked tail. I was also overcome with how blithe he seemed, surfing in the grass, body shifting and shifting again in the air. “Alive,” I thought. “This bird is alive, through and through.” I had been reading about the Le Conte’s sparrow the day before visiting Baker, though I didn’t make the connection until later. What I read described them as being difficult to see because of their secretive nature. The phrase “secretive nature” made it sound like the Le Conte’s was a gumshoe, a spy, or worse—nothing like the glib creature I had encountered.

Lake Perry is not where I had my first or even second American tree sparrow sighting, but it is here where I had my most meaningful experience with them. I found them where the edge of the lake fed a small inlet. There, surrounded by trees, the tree sparrows (and a few song sparrows) pulsed and trundled at the water’s edge like sprites. They were bathing, and I was watching without their knowledge. I’d crept across a rough-shorn field and made my way through unkempt trees to bear witness to this ritual. All along the section of the shore, as well as in the inlet, sparrows bobbled, sending a volley of water droplets in every direction. I’d never seen anything more joyful, and that joy found its way into my body. “This little world,” I thought. “What have I been missing?” I felt like I’d been born the wrong size. The human-sized world was not nearly as enchanting as this Lilliputian one.

Not unlike the Le Conte’s sparrow, I am becoming more secretive as I watch birds. I skulk about in their world, which has no need for me. I move slowly. I crouch. I crawl. I sit motionless with my legs crossed until parts of my body go numb. I stand looking out and out, seemingly at nothing. My partner makes line drawings of the landscape as he waits for me. Or he listens to podcasts. Or he goes on walks that loop back to where he will find me, still sitting or standing in the same place.

But I am not in the same place. The stillness, the watching—and what I am watching—is changing me in ways that words can’t properly express. Basho’s come close:

Midfield,
attached to nothing,
the skylark singing.

Perhaps that’s it, or at least part of it. The birds are attached to nothing. I am attached to nothing. There we are, held together by the field, singing with life.

—

I just learned that house sparrows aren’t actually sparrows. They’re weaver finches.

Wings and Air

Leaves from our red oak appliqué the lawn. The fall-blooming plants have lost their flowers, save for two azaleas. Butterflies and moths have been visiting the azaleas since the butterfly bushes started dying back. Above, I see woodpeckers from time to time. They dance up and down the trunks of our sweet gums. I’ve seen a slate-colored junco on two occasions. Both times, he was sneaking over the fence to take a dip in one of our birdbaths.

We have three birdbaths. Before we moved to this house, I never paid attention to birds, at least not close attention. The birdbaths came with the home, a gift of sorts from the previous owner. The birds who visit our yard regularly were also a gift. Shortly after moving here, I decided it was time to do something about my long-held desire to identify the birds I saw. I got my wish when I was given a set of bird flashcards and a pair of binoculars. The View-Master effect of the binoculars made the whole world pop to life. I couldn’t believe such wonder existed right outside my door. I’ve spent countless hours not only watching birds but also examining trees, the sky, squirrels, the texture of all manner of surfaces, the shrubs at the back of the property that lean into each other like old friends, and so on.

One of my favorite birds is the junco. I remember them from when we lived here years ago, before we moved away (and subsequently moved back). They frequented the yard at our first house. I remember that time fondly. My trauma was about half what it is now, though those earlier traumas were closer to me, more deeply imprinted, less smoothed by time, effort and consideration. Now, the most recent traumas are the jagged ones. They jar me from sleep at night and intrude on my waking hours.

I’ve been fighting for a long time, for myself and for others. For the most part, I feel unheard and unseen. I am frustrated by the lack of literacy around trauma, oppression, discrimination, and other issues that profoundly affect people’s health and well-being. I am frustrated that neurotypicality is imposed on all levels and that social constructs are mistaken for truths.

The birds help. Immensely. They don’t give me answers, and that’s the whole point of paying attention to them. They allow me to stay on a little island called here and now, unaffected by what’s happened in my past and unburdened by the extremely difficult work of being heard above the din of prevailing beliefs and values.

In these small slices of time, there is nothing wrong, nothing at all. The world is wings and air, and I am part of it.

Tack Coat

The tack coat of dawn gives way to the scumble of morning.

Dawn. Hot pink rubbed over midnight blue. Sudden lightning. My dog in my arms, trembling.

A rabbit appears out of nowhere like a lost thought. I think of an old friend.

Some folks decorate their porches but never sit on them.

Little man down there putting away your grill, come out of your garage and look up.

Some people kill birds. Others put out bird feeders.

Tonight’s sunset turned the sky into a cauldron. Below, a thrasher the color of depleted soil foraged quietly beneath a sapling.

Birds define the air.

How do you see the air without the bird? Assume there are no trees.

In the sky, a great heron goes unnoticed by lovers on a picnic.

A tender young boy watches a pair of red-winged blackbirds as his friends taunt him.

A scissor-tailed flycatcher perches on a stop sign until I get too close with my camera.

The verses are in the land, in the trees before they became paper, in our hearts before they were rewritten by language.

I just saw a man texting while driving a tractor down a major thoroughfare.

I might be getting too involved with the animals who live in my yard.

The Loneliness of Recovery

I used to think to be not alone meant / never having to walk through the high wheat / or struggle in the water.

— Allison Seay

I am standing in the high wheat. Field with Sheafs, by August Haake (1911–1914), oil on cardboard. Image used in accordance with U.S. public domain laws.

When I was a teenager, my mother’s best friend came over one night after a long absence from the weekly happy hour my mother hosted. When she arrived, the friend was serious, even somber. She stayed just long enough to tell my mother and their mutual friends that she wasn’t coming back to the group because she had quit drinking.

Couldn’t you just come and not drink, someone asked, flummoxed by the surprise announcement.

No, she said. And I can’t be around any of you again, not while you’re still drinking.

She explained that being around people who drank would jeopardize her recovery. She couldn’t be in that physical or psychological space anymore. My mother didn’t understand, or maybe she understood but didn’t accept her friend’s decision. This was, after all, the woman who had been there through everything with my mom. They’d known each other for more than thirty years. This woman even picked out something for my mother to wear to my father’s funeral. I remember her bringing a selection of outfits home for my mother to try on.

Nothing black, my mother had insisted. I hate it when widows wear black at funerals.

Her friend complied. She fanned out half a dozen wool and satin pieces in beryl blue, emerald green, and ruby red—the rich colors of a painted landscape. My mother sat slumped on the edge of her bed, barely present.

Get up and try these on, her friend coaxed.

Her concern for my mother was evident. It was one of those defining moments in a friendship. Through death, they had become even closer—friends for life, or at least that’s what everyone thought at the time.

After her announcement, my mother’s friend rose and walked purposefully through our paneled den, the one with the mirrored wet bar my father built before his death. She reached the thick cedar door and let herself out.

Empty Space

There are many differences between the alcohol recovery model and the mental health recovery movement. Still, situating myself within the recovery movement feels similar to leaving everyone and everything I’ve known, the way my mother’s best friend had to all those years ago. For one thing, there isn’t a recovery-oriented support group in my area. I don’t feel comfortable at local support groups that follow the disease model, suppress or dismiss research that challenges that model, treat the DSM as authoritative, teach people that medications are the best and often only option for managing their assigned illness, accept funding from pharmaceutical companies, and act as mouthpieces for those companies.

I’ve tried to take part in those groups—to create a space for myself and my view there—and I’ve been met with everything from dismissiveness to outright disdain. For me, they are not places where healing can occur. Rather, they are culdesacs that lead to feeling, and learning to be, what Lewis Mehl-Madrona describes as “forever ill.” In Coyote Wisdom, he writes:

On the down side [sic], support groups for particular illnesses sometimes encourage stories that keep people sick and support them in seeing themselves as ill. People who absorb these stories can come to define themselves as forever ill. A healing story needs to challenge their membership in the community of sufferers.

In my experience, label-specific support groups don’t tell healing stories or encourage peers to create those types of stories for themselves. Instead, I’ve heard group leaders refer to their own mental health labels as “awful,” “terrible” and “horrible.” I’ve seen peers internalize that language and mindset. This does an incredible disservice to the community and is, in my opinion, contemptible. I won’t set foot in those groups anymore because of the culture of self-loathing they cultivate.

Recently, I ran into someone from a group I used to attend. Though it was wonderful to see him, I wasn’t sure how to pick up where we left off more than a year ago. My DSM diagnosis has changed since I attended that group, but that information isn’t important because the DSM isn’t an accurate or helpful classification system. Whatever label I do or don’t have is just that: a label. My thyroid disease has also been addressed, but explaining how that affects my well-being is taxing for even the most attentive listener. So a silence opened in the conversation, like a crevasse in brittle ice. I stood on one side, he on the other. I care about him. I also care about myself and need to do what’s best for me, which includes walking purposefully on my own path, the one that leads to healing. Now I understand how space forms between people, like it did between my mother and her best friend.

Hello, Out There?

There are like-minded people in my area, and I’ve had a difficult time connecting with them. Often, when I reach out, I don’t get a response. I know survivors experience frustration, exhaustion, burnout, and a host of other issues related to trying to have their voices heard while also caring for themselves. Nobody in the recovery movement owes me anything, and I don’t want to take time or energy away from their important work. At the same time, it’s hard to go it alone when I know there are others in town who feel the same way as me. I like to imagine us coming together in friendship and shared purpose. (That’s my internal idealist talking. I’m trying to find my internal realist, but so far she’s eluded capture.)

I’ve had difficulty with recovery-oriented online support groups as well. Members seem to spend an inordinate amount of time fighting with one another, suppressing individual voices, and creating caustic environments in other ways. It’s exhausting to take part in those groups. I often come out feeling worse than when I went in. Online groups also tend to share a great deal of misinformation about mental health, most of which goes unchecked. There are perspectives and opinions, certainly, and those should be respected. But sharing inaccurate information doesn’t help anyone.

Whether in person or online, it probably doesn’t help that, in addition to being an idealist, I’m sensitive, introverted, and have a low threshold for interpersonal strife—either experienced or witnessed. Still, I’m here. I want to speak, write, and act in accordance with what I value, which is a model that promotes well-being over ill-being, individual approaches over generalized protocols, and healing over harm.

I’m over here in the high wheat, in the water. I will stay here even if nobody joins me.


Aside: Reaching Across the Crevasse

One way the mental health recovery movement differs from the alcohol recovery model is that there’s really no room for leaving anyone behind. That silence I felt when talking with my friend recently? I decided to try to connect with him to the best of my ability. He’s my people. Everyone with lived experience is my people, and I am their people. I can’t forget that. While I do need to distance myself from the disease model and the “therapeutic” frameworks that fall out of it, I don’t need to distance myself from anyone who’s open to where I am coming from, even if they remain on the other side of the crevasse.

In part, I told my friend that I am looking at well-being as opposed to ill-being these days, and at a mental health model that supports everyone (regardless of DSM label or lack thereof) having the tools and supports to live meaningful lives. I added that I believe we can all heal from trauma, adversity, and distress—which comes in many forms and touches most of our lives in one way or another. Finally, I said that I don’t think the medical system (physical or mental) goes far enough in not just treating illness and ill-being but in showing us ways that we can thrive and experience well-being.

I guess that’s my new elevator pitch, though it’s a little long. I’ll work on it.