Author: Dana Henry Martin

Matthew

Matthew, this would have happened with any first poem you got your hands on: repeating lines mantralike. Any good poem could have been that for you. That’s how poems work and how we move through what Hazard Adams calls the offense of poetry.

Matthew, all poems have an incantatory power.

Matthew, Eliot had some issues. Big ones. Pound, who you also mention, too. Maybe you address that in your essay. I’m just responding as I read the piece. Let’s see if you factor those issues into why there might not be great fanfare right now for great work.

Matthew, we don’t even know if there will be a one-hundred years from now let alone what poetry will or will not be celebrated at that time. Do you have tea leaves we can’t see? A divining rod? A hat with a rock in it?

Matthew, you’re etherizing your own essay on the table now. I can barely read this. I have a bad heart. Your words are making it clomp and stomp.

We stopped writing good poetry because we are now incapable of doing so. Matthew, I’m going to have to ask you to vacate your essay now. Please. There’s still time for you to not complete it, to not publish it, to save … oh, wait, you’ve already published it.

The culprit is not bad pedagogy or formal experimentation but rather the very conditions of modern life, which have demystified and alienated us from the natural world. Matthew, this is deranged. There are so many rural places. I live in one and am surrounded by them. Travel.

Permit me, by way of argument, a medium-size quotation. Matthew, this is your freaking article, in The New York Times. You know you don’t need our permission to include your little medium-sized quotation in your essay. And it is sized, not size. At least for us Gen X editors.

Matthew, my eyes are glazing over at your essay, not poetry. It’s not your fault I have POTS, but your words are literally inducing presyncope. And I use literally the way any good Gen Xer would: to emphasize something literal while expressing my annoyance at having to do so.

Matthew, I do like Milton.

Matthew, does science disenchant? Does technology deaden? That’s not been my experience of either. Did the stove and the kitchen sink wreck the blues? Or were they folded into lyric and life alike?

Matthew, why do you think poets of all people can’t see the world as anything other than an undifferentiated mass of resources to be either exploited or preserved? Make your case, or do you think you’re doing so in this essay?

Matthew, yes. Poets can draw from everything. Everything! That’s not bad. What do you … why … what’s really bothering you, Matthew?

Matthew, I like some of these paragraphs you wrote about Eliot and LSJAP.

Matthew, I don’t know that Eliot is an end-of-tracks poet. I just don’t buy that.

Matthew, I see that you’re about to reference Slavoj Žižek. Please don’t. I beg you.

Matthew, Žižek also plagiarized ideas. You know that, right? And frankly, others have also said that thing you say he said. It’s also not a very interesting thing to say. I prefer Fritjof Capra on similar matters.

Matthew, I feel like you’re upset at the internet, not poetry. Am I getting close? Can we go then?

Matthew, I need to do some shit now like ignoring men like you. One of you, your ilk, tried to destroy me years ago. By one I mean many. It didn’t work. I’m here on behalf of muses, of mystery, of wonder, and of words you might not know. Time for me to mutter, retreat.

One more thing, Matthew. The problem is content. The shift to content. That happens on the internet but is not of the internet. It’s just shit that’s happening, mostly on social media and driven by forces you didn’t even manage to allude to. Unless you did and I nodded off.

Hey, what’s your last name again, Matthew?

The First Face

I feel for those who’ve come out about Jeff Church and am especially moved by Young and Manning’s accounts of seeing Church’s face when they re-experienced what Church did to them.

I know that feeling of seeing a face overlaid on other faces and not knowing what to make of that feeling.

I know the feeling of entire states feeling marred, of a face overlaid on other faces within that place.

For me, it was Georgia.  But not just Georgia. Illinois. But not just Illinois. Missouri. But not just Missouri. Tennessee. But not just Tennessee. 

I had to trace my trauma all the way back to that first state, the one with the sound of home built right into it. And it was my home: Oklahoma. 

Oklahoma and its swirling faces. Its drunken faces. Its maniacal faces. Its aged hidelike faces. Its taunting faces. The home of that first face which jacked up all the others. The face of a man aptly named Jack.

The face attached to the body that held me after I was born. The face that posed with me in my first photos. The face I would later associate with one of my first words: “Daddy.”

When I was little, my parents marveled at the way I could spin a globe and find Oklahoma lickety-split just as the orb stopped spinning. “There, there, there,” my insistent little finger said, staking claim to that stolen state the way my ancestors had during the Land Run. 

There: that where, that no/where, that now/here I can’t shake.

That land where my father lies beside my mother—him in a silky casket, her more elegantly in a little black cremains box—in the cemetery that also has a Catholic section, a children’s section, and a section where forty children who died in a 1918 fire at the state mental hospital were dumped in an unmarked mass grave.

Oklahoma is eternal within me. No Masonic or Hermle clock governs its presence in my body. The trauma—that first trauma and the countless ones that followed—has no timestamp. The Red River is as it was then. The bullfrogs are as they were, plentiful and at times inconvenient, especially when they flooded the road flanking the river. The moon lowering and lowering until it meets the sandy riverbed and shimmers like an arched doorway to heaven or hell or maybe just to someplace better, someplace where pain might exist but suffering isn’t manufactured faster than mobile homes and oil pumpjacks.

The scissor-tailed flycatchers and red birds and robins my mother loved. All as they were. The starlings my father hated. As they were and also as they are now: outliving him, as am I.

The streets and highways and gravel roads that my father wore down, ditched out, careened along protecting and managing his drawling and sprawling fief. The sound of tires hitting seams in the concrete sections that made up a stretch of I-35 and the way the El Camero or later the Monte Carlo or later the GMC van shuddered a little when the front and back tires hit each joint. Ka-dung. Ka-dung. Ka-dung. Ka-dung.

My beloved dog is as she was, the one my father let me keep. She still runs back and forth from one window to the next over my lap as we reach either our city home or that other home in Texoma, depending on whether we were coming or going. I’m still there with her, as I was, laughing, delighting in her joy. Because she brought me joy, even in that family, even in that life, even growing up with an unspeakable father, a boundaryless father, a cradling father who broke the bough over and over. One who made me fall then told me he was saving me when he caught me. Where being saved was his bed, almost every night. And his friend R—. And his friend C—. And the strangers on the other end of the CB radio, the ones he made me talk to. And that one trucker the day my father pulled over and met up with him. How my father called me out, made me stand beside him, showed me off. How nervous that trucker looked. How he wanted to leave. How my father compromised him by making him drink a beer before he left so he’d have the smell of alcohol on him if he tried to do anything like call the cops. How the man said he didn’t want to drink the beer. How my father made him. How the man complied and ran away after doing so. Or maybe he didn’t nearly run away. Maybe he liked the beer, the danger, even my father, just not little girls. No. He didn’t like my father. My father terrified him and meant to.

That father. That first face. That first confusing, crushing pain. That leader. That schemer. That pistol. That man who shocked everyone into quaking compliance.

That man who doesn’t scare me. The one who (s)pawned me, the one who toyed and turned me into a toy. The one who passed me, passed me, passed me around. It was like being on a merry-go-round only without my mother, Merry, there to catch me when I fell.

My Dog, My Hands, My Buttery Butter-Stick Fingers

I know when my dog, Lexi, is happy. I know when she’s sad. I know when she wants to be tickled. I know when she wants me close but doesn’t want me to touch her. I know when she’s waking me up because she’s scared versus happy versus feeling playful versus wanting a tummy rub versus having to potty really bad.

This morning, my dog had to potty really bad at 5:09 a.m. That was a hard way of entering into today, but I did it because when I have to use the bathroom, nobody makes me wait until it’s convenient for them. And because I don’t “have” a dog, even though I used the phrase “my dog” above: I live with a dog, I love a dog, and I share my life with a dog. She’s family. And my bestest family member had to potty at 5:09 a.m. this morning.

I was sleeping soundly—my mattress and pillows are puffy clouds soundly—when Lexi woke me up. I was dreaming of something. What was it? A subway, glimmering tile, water in the distance, a weaver I know, an unnamable feeling, and some Southern Utah LGBTQ+ community overlord trolling my Facebook page telling me what not to say.

I didn’t want to get up, especially not at 5:09 a.m. in December, which feels the way 1:09 a.m. does in June. So dark. So nightlike it could never pass as anything other than night. Not dusk, not dawn, not the cusp of dusk or dawn.

My hands are cold. My keyboard is loud. My ears are sensitive. My fingers are sliding off keys. I’m writing off-key, too, because I’m typing letters in the wrong order, all of them. (Thanks, dyslexia.) There’s no flow in the writing for me right now, which makes writing unbearable.

My fingers are hard sticks of butter qwertying without finesse. I know my fingers are smaller than butter sticks, but that’s how they feel so I’m sticking with my imperfect metaphor. Do they make miniature butter sticks? If so, all the butter for this hard metaphor spreading across my nearly inoperable fingers at what is now 5:51 a.m.

A writer posted on Twitter yesterday about marriage being for everybody. I thought he said “margarine.” That’s emblematic of the unsolicited gifts dyslexia gives me daily:

Margarine: It’s for all of us, not just some of us!

Hilarity ensued as the writer and I had a good chuckle over the outdatedness of margarine and how, for now, butter has the upper hand, which is funny because we’re back to hands, which obviously makes me think of my hands or at least my fingers. We’re back to my sloppy butter/finger metaphor. (Yes, I went there. Sue me. Puns are a sign of intelligence.) There’s no escaping this metaphor. It’s smeared all over this bleary essay like butter on a slice of toasted bread.

The thing is, margarine has a hell of a story. It rose to fame during World War II when butter was in short supply, so it and other fats were rationed.1 Margarine had been around since 1869, but it had a problem, which was its color.1,2 It was white. It was plain. It was super meh to look at, which made it unappetizing. We eat with our eyes, after all. (That’s actually not entirely true, and it’s an ableist thing to say.) In a word, margarine suffered from oilism.

The solution to the meh-ness of margarine? Dye!3 Margarine was mixed with vegetable dye to make it look sunny, like the butter everyone knew and loved, the color we used to paint our kitchens before beige then gray then greige then white then apparently beige again shouldered color out of our homes.

And here’s the really interesting part: The customer had to do the mixing. Margarine was originally sold in its white state along with a capsule of vegetable dye, which the “home cook,” meaning the woman of the house, had to mash into the margarine until the concoction turned yellow.3

But I digress. I’ll write a proper essay about margarine later. What I wanted to say this morning is that my dog, Lexi, got me up early. I understood exactly why because she came from an abusive situation in Texas where she was bred by an unethical breeder. She’s learned how to overread and overcommunicate with humans in a way I’ve never seen any other dog do. Strikingly, in the year since she’s lived here, she’s learned how to imitate me when she needs to convey something, anything, everything. She can’t use language like I do, but she knows how to use her entire body—from her ears to her eyes to her paws to her tail—in various combinations to say things like, Mom, quit giving me those silly kisses. Please know I still love you, though, and want you here next to me. Just ‘no’ on the kisses, OK?

She talks to my husband and me like this all day long, and it’s the most adorable and endearing thing ever. Dad, why are you close to the back door with that coat on, but you aren’t looking at me like you’re about to take me outside?

Or Don’t you see me lying here like a piece of driftwood, so good and so quiet, but also so hungry? I don’t want to be demanding or anything, but you totally forgot to feed me. You’re at least ten minutes late doing that. Do you want me to be this sad piece of driftwood forever?

Or, a new one she added recently that I had trouble translating: Mommy, mommy, maaaaaaaaaawmeeeeeeeee. I feel weird and have to, like, lie here like this on the rug in the middle of the living room, aimless and foggy. I don’t know what’s going on. Is the floor quicksand? Is it, like, holding me down or something? Am I, like, stuck here forever?

That was the day we gave her one-quarter tablet of trazodone before a visit to the veterinarian to make sure she hadn’t cracked her tooth on a toy that’s not supposed to be capable of cracking a dog’s tooth.

The most intriguing part of all this is that she acts like me. These aren’t generic communications. She tilts her head the way I do. She puts her paw on my chest the way I put my hand on Jon’s chest when he’s rushing up to me too fast and I need to whoa-nelly his overly enthusiastic approach. She mopes the way I mope and lets joy flood her body the way it floods mine. She even dances like me.

Lexi’s asleep now on the flokati rug in the living room that we call her Floofer, not to be confused with my electrophysiologist, who I call Dr. Flvoolr because that’s what I called him right when I came out of anesthesia the other day. (Dr. Flvoolr is not his actual name, but it’s sort of close. I got three of the seven letters right.) Lest you think we’ve relegated Lexi to the floor, that Floofer is on top of a fluffy dog bed which, in turn, is on top of our moderately uncomfortable mid-century-style sofa. It’s nearly a princess and the pea situation, Lexi’s Floofer setup.

My hands are warmer now, but they still aren’t serving me well. My ears are ringing. The keyboard still sounds like someone rummaging around inside a drawer full of Legos. The lamplight interrogating my desk is as taxing as the first general income tax ever imposed in our country, which occurred during World War II, when the number of Americans required to pay federal taxes rose from 4 million in 1939 to 43 million by 1945.4

(All that taxation and a gal couldn’t even get her hands on a stick of butter. I know, I know. It was a war. A big one. I get it.)

I want to go back to sleep like Lexi has, but now I’m staring the day right in the eyes. It’s staring back. I tried turning my head slightly the way Lexi would as a calming signal. The day isn’t averting its gaze. I’m trapped here among the wakeful, at least for now. Time to putter around the house, grab some breakfast, and catch up on the news. Kyrsten Sinema! Britney Griner! Elon Musk! President Biden and Title 42! Fourteen more books designated as “pornographic” by the Washington County School District in Utah—including several by poet and novelist Margaret Atwood! There’s never not news these wide-eyed days. My new favorite pastime is reading the news before my husband or my friend José has, then being the one to break it to them, especially when the news is salient, good, strange, or all three somehow—the perfect news trifecta.

Below, I’ve included a poem I started writing in 1995 about margarine when I was taking Robert Stewart’s poetry class at the University of Missouri-Kansas City. It’s not the best poem, but I like it and it’s relevant, so there it is. It’s my one-thousandth version of the poem and is the best shape I could whip it into. I may not have whipped it like butter, but I like to think I at least whipped it good.

—

Margarine During War

Women keep settling
(oleo, factory jobs)
though they pine for sex
the way they long
for butter on their lips.

After war, they dab
eye shadow and rouge for men
whose war-whores
didn’t teach them to kiss.

But the women
hoist skirts, drop stockings,
for soon the bread they’d break
would be kissed with butter
(real butter).

—

Sources

  1. Yglesias, M. (2013) Guns vs. Butter, Slate Magazine. Slate. Available at: https://slate.com/business/2013/07/butter-rationing-guns-vs-butter-in-world-war-ii.html (Accessed: December 9, 2022).
  2. Vaisey-Genser, M. (2003) “Margarine, Types and Properties,” in B. Caballero (ed.) Encyclopedia of Food Sciences and Nutrition. Second. Elsevier Science Ltd.
  3. Magazine, S. (2011) Food Dye Origins: When Margarine Was Pink, Smithsonian.com. Smithsonian Institution. Available at: https://www.smithsonianmag.com/arts-culture/food-dye-origins-when-margarine-was-pink-175950936/ (Accessed: December 9, 2022).
  4. Tassava, C.J. (no date) The American Economy During World War II, EHnet. EHnet. Available at: https://eh.net/encyclopedia/the-american-economy-during-world-war-ii/ (Accessed: December 9, 2022).

Diavomirrhea

I want you to feel safe. I want you to feel loved. I want you to be safe. I want you to be loved.

Good morning, cold air. Good morning, trucks zipping along the highway. Good morning, basalt boulders. Good morning, wildlands.

Winter sky heavy with ravens.

Because the truth is not where we left it.

Because we seek the truth, need the truth, feed the truth.

And truth is water. And we are the drought without truth. No doubt.

Because we lead in truth.

I need a break from being conscious. I can’t wait until I’m under anesthesia tomorrow.

Once you think you’re dying, everything seems like a sign that you’re dying.

Same old story: finding land, encountering people.

One place that is two: (t)here.

I serve poetry. I serve weaving. I serve music. There is no other way, no other choice. I serve Earth. I serve living beings. I serve love. There is no other way, no other choice.

I invented a new word based on my activities last night: diavomirrhea. Since you might need the term someday, you’re welcome.

Don’t quiet quit your life.

When I first learned about filibustering in my civics class, I intuitively understood that I’d be great at it.

I can totally write a single sentence and stop there. But why?

Living in a Dying World

I finally understand how to enter into palliative care for the earth, humans, and all living beings.

I finally comprehend my way of being in this world as this world is being destroyed.

This is the way I’ll live on this land until my body returns to the land. I say this to myself, now, because I’m afraid I’ll wake up in the morning and this feeling, this understanding, will be gone, like a dream.

I say what I say and write what I write to remember what I’ll otherwise lose in a moment, in a flash, when the wrong noise makes my body tighten, when the wrong move makes me brace, when the wrong memory, reawakened, makes me run.

We’re all just walking each other home, as Ram Dass says. “Said,” technically, because the perpetually present-tense world we want to create—especially in poetry—is an illusion.

Past and future exist and matter, even if it’s only because we perceive them and need them in order to make sense of the everything that’s doing and being and moving and thrumming and creating and re-creating everything all the time. Call it God. Call it Gaia. Call it what you will. Call it nothing. It’s still everything.

Past and future inform us in ways we understand and in ways we never will.

Maybe we don’t need perfect understanding.

Maybe love is all that’s perfect and timeless and always available to us, not in a greeting card way but in that way where something is so profound we need the simplest language to discuss, express, share and feel it.

We need a little carving of a heart to hold what can’t be contained, just as we need talismen to keep big, scary things that can’t be named or tamed at bay.

I think it’s Mary Oliver who calls what lies beyond language the ineffable. I can’t find that quote right now, but I did find this passage Oliver wrote that feels perfect for this moment precisely because it situates every moment, every life—everything—within the larger whole of eternity:

Now in the spring I kneel, I put my face into the packets of violets, the dampness, the freshness, the sense of ever-ness. Something is wrong, I know it, if I don’t keep my attention on eternity. May I be the tiniest nail in the house of the universe, tiny but useful. May I stay forever in the stream. May I look down upon the windflower and the bull thistle and the coreopsis with the greatest respect.

Yes, yes. All the yesses. Oh, Mary. My heart. My heart.

But back to Ram Dass. He’s dead. He died three years ago. He doesn’t say anything now except what he’s left behind with us. Maybe that’s our afterlife, our everlastingness: What we teach each other, what we share with each other, how we love each other, how we fight for each other.

Maybe that’s heaven. Maybe that’s our forever, written not in the clouds but right here where we walk and crawl and kneel and drag ourselves from one day to the next over rough land, over stone, over grasses, over loam.

Regardless, these are things we can do now, while we’re living: teach, share, love, fight.

We can interlace our fingers and move forward, together, until we can no longer move, until we die of natural causes, not from hate or from being cut off from others, from community, from those on whom we all rely for our lives and our well-being.

Every one of us can reach deep into love and, in so doing, become part of a whole that transcends who we are as individuals. No censorship needed. No isolation needed. No shunning. No shaming. No guilt. No fear.

Hold those you love close, and love everyone. I’m begging you.

May you all swim forever in the stream. I’ll try if you will.

—

Sunday, November 20, is Transgender Day of Remembrance. This essay is, in part, a call to end the hate that results in trans people being killed just for being who they are, loving who they love, and being some of the bravest people who walk this earth.

Love can stop these needless deaths. We can stop this. Let’s make it stop.

Sacred and Desecrated

One of the penalties of an ecological education is that one lives alone in a world of wounds. 

― Aldo Leopold

I’m staying in a tiny home that overlooks the Virgin River Gorge in La Verkin, Utah. This is my view from the balcony. When I got here, the river was low and relatively unremarkable—a muddy brownish-red my friend in Missouri described as “stark.” Then it rained heavily in Cedar City, a town that should have been called Juniper City because those are the trees that grow there, but I digress. The river swelled and grew noisy, pushing trees and other large pieces of debris aside as it flowed angrily past. This was a new river, a different river, one that felt at once mystical and mythical. But the sky wasn’t about to let water get the upper hand. The sunset last night, shown in my photo, was brief but as powerful as the one James Tate describes in his poem, “Never Again the Same,” which reads, in part:

              The colors were definitely not of this world,
              peaches dripping opium,
              pandemonium of tangerines,
              inferno of irises,
              Plutonian emeralds,
              all swirling and churning, swabbing,
              like it was playing with us,
              like we were nothing,
              as if our whole lives were a preparation for this,
              this for which nothing could have prepared us
              and for which we could not have been less prepared.

Heavy rain and lightning today, along with markedly cooler temperatures, made the creatures who call this wild area home stir. A great blue heron hunted squirming fish from a basalt boulder flanking the river. Squirrels scurried on the balcony then settled in and stared into the middle distance. Broad-tailed hummingbirds fed on native and cultivated shrubs in the seam where what’s wild meets what’s manicured only to the degree that it still looks wild. A red-tailed hawk swooped into the gorge then headed southish following the water.

The collective stench of wildlife urine, pungent and rising from newly moist soil, mingled with the sweet and musty scents given off by the surrounding flora: native plants such as cottonwoods, globemallow, Mormon tea, and sand sage that live alongside introduced species such as cheatgrass, Russian olives, tamarisk trees, and tumbleweeds.

This riparian habitat is unique in Utah. It comprises only one half of one percent of the state’s total land. The highest levels of biodiversity are found in spaces like this. More wildlife species live here. Bird densities are twice as high here. The visitors who flock to this area each year, especially in the warmer months, may look out from their balconies and see something pristine and untouched and remarkable and precious. 

Except for the homes built right up to the gorge’s steep, unstable cliffs. Except for the homes and retaining walls and bird feeders and playground sets the gorge has already swallowed or threatened to swallow. Except for the large banner on the other side of the gorge advertising finished lots for sale—ones that also hug the gorge’s edge. 

Except for the trash dropped over the cliffs’ steep sides and forgotten. Except for the residents who breed their dogs unethically and leave them outside all night long to howl from fear and frustration. Except for what happens behind some of the closed doors here—the kinds of things that could happen anywhere in terms of the broad strokes but whose details follow unique, longstanding patterns specific to this area.

Wendell Barry writes, “There are no unsacred places; / there are only sacred places / and desecrated places.” This is a sacred place, but it is also a desecrated place. Visitors for the most part don’t see beyond the perfect images they capture from their balconies, the ones that literally exclude the houses, trash, and other incursions on the natural land from the frame. They trot out, often barefoot and shirtless, right when the sky erupts with color. They are, as Tate describes, totally unprepared for what they’re seeing, to the point that it makes no impression other than the ones they get on social media for images that have a shelf life shorter than the energy drinks they chug after getting a buzz scaling this or that nameless cliff—not because the cliffs have no names but because those scaling them don’t bother to learn their names before picking up and moving out, on to the next adventure, the next cheap high.

Lexi the Healer

To sit with a dog on a hillside on a glorious afternoon is to be back in Eden, where doing nothing was not boring—it was peace.

— Milan Kundera

I dreamed about my dog, Lexi, this morning, as she was pressed against my back, sleeping alongside me. In the dream, I was holding her. We were in a park. She saw an older woman in poor health and began wagging her tail. I carried Lexi over to the woman. She angled her head downward and pressed the top of her muzzle against the woman’s cheek.

The woman began to cry. Lexi intrinsically understood what the woman was feeling. She was there for the woman in a way humans hadn’t been. Tears streamed down the woman’s face and landed on Lexi’s wispy facial hairs.

Others from the park gathered around. In silence, they entered the space Lexi was creating for the woman—a space of loving without words, of existing fully and selflessly with someone in need. A kind of joy emerged, not unbridled happiness, but the deeper joy that suffering makes possible.

I heard a “thump, thump, thump,” as rhythmic as a healthy heartbeat. It was Lexi, not in the dream but beside me in bed. Each morning when she wakes up, her tail starts moving before the rest of her body does. The “thump, thump, thump” was her signature wag. Good morning, Lexi, I responded, as I do each day. Those three words invariably set the rest of her body in motion. She wriggles up to my face, plies me with kisses, then curls up in the space between my shoulder and head while I tickle her tummy and tell her how much I love her.

I had other dreams last night—recurring nightmares whose subjects and plots are so similar they’ve worn ruts in my mind. A house with missing walls, no locks on the doors if there are doors at all. Strangers inside with me. Men, mostly. Sometimes complicit women. More of them coming. More and more, so many they resemble debris-filled floodwaters. Me, half-naked, running. A bare mattress in a basement. No way out.

I only remember the nightmares as I sit down to write this. The dream of Lexi is what got me through the night. The reality of Lexi is what gets me through each day. Lexi and her wagging tail. Lexi curled up beside my head, her soft, disheveled fur tickling my face. Lexi and the space she creates for deep joy within deep suffering. Lexi, the healer. Lexi, my healer.

Today, Lexi and I will sit at the base of the sandstone slope that rises, unreal and dreamlike, behind my home—its strata twisted by profound geological events during a time scale humans can barely fathom. It will be a glorious afternoon. We will do nothing. We will feel peace.

Telling Lexi’s Story

If you meet me when I’m with my dog, Lexi, chances are you’re going to hear her story. The story of how she lived during the first nine months of her life. The story of the woman who bravely stepped in when nobody else would and carried Lexi and her littermate out of a deplorable situation while both she and the dogs shook with fear.

The story of her frail, failing body. Her lack of food, water and shelter. The way she was locked in an outdoor pen with other breeds—some much larger than her and all of them puppies. Lexi was deemed unsellable, so she and her littermate were forgotten, left to fend for themselves when they didn’t even have the freedom to roam in search of shelter and sustenance. Lexi and her littermates were left to die. Some of them did. Around them, dogs barked and wailed. They slept on ground soaked with urine and excrement. The business of selling went on.

Lexi was born into the life of backyard breeding, a practice that’s ubiquitous in the United States. Like many states, the one in which Lexi was bred — by a person who saw dogs as a source of quick cash—provides insufficient legal protection to companion animals. What Lexi went through is not unique or unusual. It’s built into the business model for inhumane breeders whose cramped pens and suffocating buildings litter the country from coast to coast. Slow death and immeasurable suffering are a feature of these businesses, not a bug.

When I try to tell Lexi’s story, trainers almost invariably interrupt me early on to say something like this:

Dogs are resilient. If you hold onto that story, your dog won’t be able to move past it. You need to think about your dog’s future, not what they went through.

Agreed. But I’m not “holding onto” Lexi’s past. If anyone is aware of her resilience, it’s me. I see evidence of it daily, hourly, and minute by minute. What I’m doing is this: Raising awareness wherever I can about the horrific abuse and neglect that occurs in backyard breeding operations and puppy mills. I’m educating those in my community about dog abuse and neglect, as well as the effects of irresponsible breeding and pet overpopulation. Most people don’t know about any of those issues, especially not in sunny Southern Utah, where the scent of yesteryear still permeates the air and, on the surface, everything appears to be good and right and noble, always. Here, the unthinkable isn’t just unthinkable. It’s literally not thought.

Here, the unthinkable isn’t just unthinkable. It’s literally not thought.

Teaching the public through education and outreach programs is essential to getting the message out about dogs like Lexi, but so is giving those stories a face. Lexi is that face. While someone is marveling at how sweet and wonderful Lexi is, I can tell them a story they would never have imagined while all their senses are engaged. The listener can feel Lexi’s fur, gaze into her beautiful eyes, and smell that signature Cheetos odor wafting from her scraggly paws. The listener gets a serotonin boost while learning what Lexi and other dogs have to endure. Engaging the heart and mind together makes the teachable moment that much more powerful.

This is immersive education and storytelling at its finest. The subject is right there. She’s not a statistic or an abstraction. I’m able to make inroads with folks who might otherwise drift into local pet shops that source puppies from unethical breeders when they decide it’s time to add a dog to their family. Those stores’ pretty plexiglass display cases won’t hint at where the puppies came from. Their owners and employees won’t tell the truth. Instead, they’ll spin some yarn that has no veracity.

Lexi has to tell the true story. And because she can’t speak, I have to tell her story for her and with her. So I’ll continue talking about her trauma, as well her resilience and recovery. It doesn’t mean I’m living in the past or locking her into a figurative pen. Quite the opposite. Our stories can free us. They can also free listeners from ignorance, misunderstanding, and a lack of awareness. Lexi’s story is designed to ensure there’s no next Lexi. Mills must stop churning. Backyard breeding operations must close. Neither will do so willingly. Their market—folks like the ones I share Lexi’s story with—needs to dry up. Without demand, there will be no supply.

I’m concerned that some trainers are myopically focused on the client and dog they’re working with. They fail to see the bigger picture. They speak before they listen. How can they not understand the importance of telling stories like Lexi’s? Is it because they work with clients who have purebred dogs? Do they feel pressure from breeders in the community? Do they just not like hearing unpleasant stories? These trainers don’t recognize the implications of discouraging adopters from sharing their dogs’ stories, especially stories of trauma. I wish they’d reconsider shutting folks like me down.

Lexi is part of my family now. That means her story is my story. We walk through this world together, each of us with our own histories of trauma, each on our own healing path. Together, we’ll tell our stories in our own ways as long as we walk this earth.

Lexi

A few weeks before Thanksgiving, a couple surrendered three small dogs to a rescue where I volunteered. One of them was Lexi, a too-thin balding terrier mix. She was sweet but understandably confused and scared. The rescue was en route to Zion National Park, where the couple was headed as part of a multi-year RV trip they’d embarked on two months earlier. Their plan was to take all four of their dogs with them on the adventure. Something made them change their minds about traveling with the dogs. I suspect the endeavor was more difficult than they anticipated. Not all dogs like to travel. The constant motion, fluctuating temperatures inside the RV, and stress of being uprooted from their home may have caused the dogs considerable stress. Add to that the difficulty of managing so many pets throughout a long trip. I don’t think the couple knew what they were asking of their dogs or of themselves.

Lexi came to our home to spend Thanksgiving weekend with us. Another family had been fostering her, but they had a guinea pig. Lexi’s strong prey drive made that situation difficult for the fosters to manage. The day I picked her up, Lexi was dressed in a pale pink sweatshirt with the words “ROYAL FASHION PRINCESS” printed on the back in fat, glittery black letters. The acrid smell of floral laundry detergent wafted from the diminutive garment but failed to conceal the pet odors permanently embedded within it.

This is just for the long weekend, I told myself. When I learned about what Lexi had been through, I wanted to give her the best Thanksgiving she could have under the circumstances. Our home was calm and quiet. My husband Jon and I could give Lexi our undivided attention. I could focus on getting her to eat—she hadn’t eaten well since being surrendered—and I could begin assessing her apparent health issues. Bouba and Kiki had only been gone for a few days. It was, at once, too soon to have another dog in the house and exactly the right time to have another dog in the house. I don’t know how to describe our home without dogs other than to say the space feels heavy, lifeless, devoid of resonance—like someone playing a piano with one hand while muting the strings with the other.

It was, at once, too soon to have another dog in the house and exactly the right time to have another dog in the house.

Who do we have here, Jon asked when I got home with Lexi. He found her sweatshirt amusing, especially because it was far too small for her. Most of her long body was left uncovered, giving her the appearance of a teenager who’s shot up suddenly but is still wearing their old clothes. In fact, I had something similar as a teen—a pink Oklahoma Joe’s sweatshirt whose coverage of my arms and torso became increasingly insufficient during a growth spurt, but I loved it so much I had trouble parting with it.

We settled in on the sofa. I wrapped Lexi in a blanket and turned on the news. She fell asleep. The back of her ears, head and neck were bald save for a few scraggly hairs. I cried silently as I thought about Bouba and Kiki and about the scared but trusting little girl dozing on my lap. For two days, we spent the majority of our time like this. When I wasn’t walking, feeding or grooming her, Lexi and I were relaxing on the sofa watching news programs. (Russia hadn’t invaded Ukraine yet, so the news was still relatively palatable.)

My feelings vacillated between happiness tinged with sadness and sadness tinged with happiness. I think Lexi had similar emotions. Her naps were punctuated by bouts of whining, crying, and exploring the house as if she would find her old life in one of the rooms. Incrementally, she came to understand that she was in a new place. Her other life wasn’t behind a closed door. Her former guardians weren’t going to pull up in the driveway, eager to see her again. The dogs she lived with and adored were somewhere else. The familiar sights, smells and sounds of her home in Texas were nowhere to be found. By the third day with us, she had stopped searching for her past. She had also started eating, which was a relief.

We began going on outings so I could do informal temperament testing with Lexi and see how she reacted in different environments. How would she do with people, with other dogs, with cats, and with wildlife? Would she be comfortable in expansive natural areas and in congested suburban spaces? Did she like water? Was she afraid of cars, side-by-sides or scooters? Did certain situations scare her? I created a spreadsheet to keep track of my findings. I hoped to provide potential adopters with information that would help them determine if Lexi was the right dog for them.

We took Lexi to Home Depot, Petco and Star Nursery. We visited Red Hills Desert Garden, Confluence Park, and a busy city park whose name I forget. She navigated every situation we encountered with ease, and people gravitated to her wherever we went. There was something uniquely lovely and disarming about her. Folks became emotional and opened up in her presence, mostly about dogs they’d loved and lost, but also about their lives and experiences, their hopes and fears. It was beautiful to watch Lexi bring that out in people.

We got her toys. We got her clothes. We got her puzzle games. And treats. And dog beds. And blankets. She could take them all to her new home, we reasoned. We discovered that she loves bully sticks and yak chews (a hard-cheese treat) most of all. She plays with them like toys, throwing them across the room and retrieving them before gleefully throwing them again. She even sleeps with a yak chew every night, cuddling it like a baby.

We learned that she likes to tuck herself in beneath a small blanket. We learned how tiny she looks when curls up to sleep. We learned that she loves smelling the world more than anything. When she seemed anxious, a slow sniffy walk immediately lifted her spirits. Wildlands surround our home in Southern Utah. There were myriad scents for Lexi to experience—many for the first time in her life.

Two things quickly emerged about Lexi: the first was her curiosity; the second was her fragility. I remember the day I first bathed her. I removed her sweatshirt and was afraid I’d break her in the process. I ran my fingers along her protruding ribs, her knobby vertebrae, and her soft, concave stomach. Energized by static electricity, the scant hair on her back pulled up and away from her skin as I coaxed the sweatshirt over her head. Overcome, I pulled her close and held her tight—something dogs don’t always like but she seemed to welcome—before carrying her to the bathroom.

Her fragile body made her curiosity even more remarkable. Despite her health issues and what she’d been through, she met the world with great interest. Even when she felt nervous or unsure, she wanted to know more about whatever she was encountering. Her curiosity helped her transition from her old life to her new one. Jon and I delighted in seeing her experience the world she was in now, the one we were helping her navigate.

Despite her health issues and what she’d been through, she met the world with great interest.

After the long weekend, Lexi stayed a few more days so she could see our veterinarian. We hoped to learn the cause of her weight loss and hair loss. During the appointment, we learned that her health issues might be more complicated than we anticipated. I wanted to keep her long enough to pay for additional medical assessments and treatments, but I realized that was beyond our role as fosters.

We discussed adopting Lexi ourselves but felt like it was too soon to make that commitment to another dog. We decided to pass Lexi’s medical information along to the rescue and continue fostering her until she was adopted. I took photos of her for Petfinder and emailed them to the rescue. Five minutes passed. I paced around the room. I looked at the photos. I looked at Lexi, who was attentively perched nearby. She resembled a troll doll with her wispy, cobweb-like facial hair and short, fine body hair. Her eyes were especially striking. Central heterochromia gives her irises the appearance of two chestnuts whose skin is catching the light on a sunny day. Dark pigmentation on her upper and lower eyelids resembles thick, almost goth, eyeliner. She stared at me with those dramatic eyes and with such clarity, innocence and trust my heart nearly burst.

I sent a feverish email to the rescue, then bolted out the door with an adoption form and a check. I drove straight to the rescue’s adoption center and said we wanted to adopt Lexi. It may have been too soon, but I didn’t want her to go to a home where her medical issues might not be addressed. I didn’t want her to go anywhere. I knew we could help Lexi in ways we weren’t able to help Bouba. It felt right for her to stay with us.

When I got home, I made a beeline for Lexi. Jon asked if she was ours. I said yes, but the truth is we were hers. We still are.

Because I Have Suffered

The birds are turning into flowers.

For Easter, I’m hiding peanuts around the yard for the birds.

Northern flicker: The last time I saw you, you were clinging to the sweetgum in the rain.

Don’t go, nuthatch. I was just learning how to watch you.

The American goldfinches are starting to look like marshmallow Peeps.

Today is rain and birdsong.

My yard is covered in puddles and juncos.

The red-winged blackbird returned to the yard today.

Haters gonna hate, but at least I get to come home to birds.

I miss the red-winged blackbird so much!

Today, I stopped to help a dog who was running loose. A woman came out of her house and said she wanted the dog to run into traffic and die. This kind of thing is why I’m a solitudinarian.

The Carolina wren loves to eat suet then sing from the silver maple.

After eleven days, the red-winged blackbird left me.

I love you more when you are with a dog.

Live alone, die alone. Live together, die alone.

Two days ago, I saw a male northern cardinal feed a safflower seed to a female.

I put down grass seed, and the birds ate it all.

It’s as if birds don’t care about lawns.

My skills include making the bed while my chihuahua is still in it.

A blue jay riffles through the leaves in my neighbor’s gutter.

Near the heronry, squirrels are busy making nests out of plastic grocery bags.

What have I done today? Nothing awful, I hope.

Today was strange because I didn’t see any hawks.

This half-tamed world is a respite from misery.

Red maple blossoms: How can I not have hope when I look at you?

Heartbreaking: As we age, we lose the ability to hear high-pitched bird songs.

You know who visited my yard today? A golden-crowned kinglet, that’s who.

Today, I misread the word “brides” as “birdies.”

My favorite chipmunk just climbed up the side of my birdbath and got a drink. So cute!

It’s almost time to put the hummingbird swings out.

A red-bellied woodpecker stashes safflower seeds in holes drilled by a yellow-bellied sapsucker.

Three blue jays gather in the nearest tree as I fill their peanut feeder.

When I stepped away from the window, the ice in the birdbath turned to water.

The hammock is covered in silver maple blossoms.

It’s hard to hear the red-winged blackbird’s melody when several hundred are singing asynchronously.

Here and there, mourning doves have settled into the earth like river rocks.

The male red-winged blackbird returned to my yard today. The greedy part of me is delighted.

I’m listening to the train and thinking about the juvenile Cooper’s hawk I saw this evening.

Two barred owls are singing to each other in my neighbor’s tree.

Two red-tailed hawks fight over rights to a marsh seeded with red-winged blackbirds. Each leaves with nothing.

Starling, your feathers are puddled motor oil on an asphalt road.

Nothing captures the entwined sense of desolation and hope more than a dead tree full of live birds.

The molting goldfinch is a half-painted canvas.

As soon as the Cooper’s hawk is gone, juncos pop out from their hiding places.

Two northern cardinals chase each other from tree to tree.

Bare trees flutter with finches.

The church bells next door don’t observe daylight saving time.

I dreamed the poet who assaulted me sent me a beautiful tree for my garden along with a note that read, “Keep quiet.”

We trimmed the trees but left the nesting cavities untouched.

I have a lot of time to look around.

A red-tailed hawk is perched on the tornado siren tower.

Moments don’t really exist, do they? They aren’t apart from anything else.

The robins wonder why I live in a structure on their land.

Help. I woke up with myself again.

I love it when blue jays let me in on their jokes.

The blue jay cried “kwirr kwirr” from the sweetgum as I filled the peanut feeder.

All morning, a blue jay has imitated a red-bellied woodpecker.

Every moment, I have a choice. Every breath, a choice.

Friendship formula for other people: time together + intentional self-revealing = feeling close to others. Friendship formula for me: time together + intentional self-revealing = feelings of panic, shame and fear.

I feel like I walked across a long bridge and nobody followed me. I stand here alone.

I don’t want you to be someone who enjoys more beauty. I want you to be someone who causes less destruction.

Tender, tender. Be tender.

Good writing is a bell ringing me back to life.

My mouth always feels like it’s falling off.

My life, as a whole, is divided into two parts: before trauma and after trauma. At this point, I barely remember before trauma.

Trauma passes through the gut in three hours, through the small bowel in four. It takes seventy-six hours for trauma to traverse the large bowel, but it never leaves the body. The undigestable parts stain fingers, swell joints, weave their way into every strand of hair.

I know when I don’t feel safe. I know when I don’t feel seen or heard. I know to avoid those situations whenever possible.

If the birds are in the trees, I want to be alone.

Like a scorned lover, the wind tore the mylar balloons to pieces.

Then: How can I make my life into art? Now: How I can just stay alive?

Sound is always leading me into ditches.

I feel like you used to be more than flowers.

Lie on the ground with me, neighbor. We’ll sort this all out when the wind dies down.

First Law of Wind: There is no wind without things.

Second Law of Wind: Great wind descends into stillness.

Third Law of Wind: You cannot escape from wind.

We can only know the wind through the things it touches.

You crossed the boundary long ago, so take what you want. This leaf. This seed. This wagon. This hoe.

Have my watering can and two-tiered birdbath, my chipmunk and his major and minor hoards.

What’s this? Your pill sorter. The chambers are chalky and taste like salt.

Your plastic will become my plastic. Your glass, my glass. I want your caps, your lids, your Juicy Juice boxes and their delicate little straws. Let it all blow my way.

I’ll retrieve your balloons with a cherry picker—deflated hearts that announce your love.

Take my birds as a sign of goodwill. Let them sing you back to joy.

I walk around picking up your branches, your receipts, your skiffs of tinfoil.

Your inflatable packing is strewn across my yard like entrails.

You once held the mylar balloons that quiver in the silver maple.

I come to know you through the things the wind blows from your yard to mine.

Snow. Wind. A pair of red-winged blackbirds clings to the crabapple.

You can tell a lot about a person from their detritus.

Dried hydrangea blossoms stumble along the culdesac, the wind’s playthings.

Two mylar Valentine’s Day balloons are stuck high in my neighbor’s silver maple. They aren’t just an eyesore; they pose a threat to area birds. This isn’t how you tell someone you love them.

Spring: Plastic bags snagged in the stubble field are turned into the soil.

First response to suffering: Because I have suffered, I don’t care about the suffering of others. Second response to suffering: Because I have suffered, I don’t want to see others suffer.

I laid the goldfinch to rest on a bed of moss and covered him with dried hydrangea blossoms.

Today, my Turin horse was a small bird who died because he tried to fly into the reflection of a tree.

If I hold your neck, will it unbreak? If I open your eyes, will you see? If I run my fingers along your feathers, will you fly? Summer is coming, your brightest season. Now you lay in my hand, your toes curling as if around a branch. I breathe and you don’t.

Unable to accept what is, I tried to will a dead goldfinch back to life today.

On new asphalt, the muddy tracks of Canada geese look like hieroglyphs.

There should be a brand of ice cream called Sorrow.

I kept one thousand words in a cage, then I set them free.

The next time you see a bird, know that part of me is with you.

Today, my Turin horse was a pair of bluebirds trying to nest in a construction zone.