I spent part of the afternoon with a downy woodpecker.
I had a dream about two secret words. I held their names on my lips when I woke, but a waking word entered my mouth and I lost the secret words. They meant, During wars, the only ones left in this small town are the unemployed, and they sounded a little bit like okey-dokey.
There is a seam in the sky where a backgrounded opacity meets a foregrounded opacity. We have been painted in.
The female cardinal is neon in this light.
I caught my dream words this morning before they leapt from my tongue: I am hunting words through an increasingly gentle forest that opens onto a faceless marsh of mallow. Stop, please. Language, stop me. Stop until words make me hungry again. Then I’ll eat them like durian, treaded skins and all.
Every day I live with this illness is a day for me to take stock. That is how my illness is the gift I never fathomed it could be.
This season, I have a favorite chipmunk. I should love them all equally, but only one is my darling.
My words from three dreams ago swam back to me last night, the ones I lost on waking but that reminded me of okey-dokey. The words are “ini k’ani.” I looked them up, and both are Asomtavruli letters used to write in the Georgian language. Ini is the equivalent of an English short “i,” as in “hit.” K’ani is the equivalent of an English “k,” but glottalized. Who knows why I would dream these sounds at all, let alone on two different nights.
Musical instruments have humble bodies, yet their voices are bold.
When did the poetry community become a bare knuckle boxing ring?
Visions are what happens when the mind is ever so slightly batted away from its cultural trappings, when certain centers flash that are typically dull and systematically made duller by the very culture that produces and sustains it. But the visions are still steeped in the culture in which the mind lives. They are not free from it, though traces of free thought can be made out, like the echo of a long overgrown trail within dense forest. As a friend says, visions are “trances and traces.”
Tra(n)ces.
Living and dying are not two things. They are one thing. They sit side by side, as intimate as young lovers.
Moments after the samara wheels to earth, it stands upright, like a ballerina doing a revelé, poised to tunnel the soil with its gaunt root.
Death is kneeing life in the groin today.
Sentences make words feel like they have friends.
My darling chipmunk is staring into a puddle as if it were a reflecting pool.
I’ve, I’ve got a bone / to pick and a crow to pluck. / I’ve got my tail tucked, wound / to lick. I prefer not to talk. / I said, I prefer not to talk. — Andrea Henchey
“At least he didn’t rape me.” That is the kind of logic many survivors of rape and child sexual abuse employ when someone revictimizes them in ways that fall short of outright rape. “At least he only did x and not y” is our way of creating a sense of empowerment and protection in the moment and not allowing the person who has hurt us to strip us of who we are. We feel that as long as it could have been worse, we can still move forward. We can become whole again, or at least we can live with the hope of becoming whole.
I am committed to the fight, not to the spats.
A poet I’ve known for years said her abuse is buried so deep she can’t imagine touching it. I don’t want to live like that, with a splinter that’s made its way to my heart. My voice keeps the splinter from going deeper.
This is not the time for easy conversations.
He who directs his passion upon causes … deprives his passion for people … of much of its fire. — Friedrich Nietzsche
One man’s morality is higher compared with another’s often only because its goals are quantitatively greater. The latter is drawn down by his narrowly bounded occupation with the petty. — Friedrich Nietzsche
Conversation is the only route to understanding and even then, who knows.
Close beside the woe of the world, and often upon its volcanic soil, man has laid out his little garden of happiness. — Friedrich Nietzsche
To be conscious is not to be in time / But only in time can the moment in the rose-garden, / The moment in the arbour where the rain beat, / The moment in the draughty church at smokefall / Be remembered; involved with past and future. / Only through time is time conquered — T.S. Eliot
Before language, my body was a verb.
You’re not a citizen of language or memory, / but I am. — Kathleen Flenniken
Art makes the sight of life bearable by laying over it the veil of unclear thinking. — Friedrich Nietzsche
Maybe a poet friends us on Facebook because they want to market their latest collection, or because their friend’s friend friended us. We might not even be acquainted with anyone beyond that first-level friend, the rest being nothing more than piggy-backed apparent connections which spread out and out from that one person. In this case, a true network is not forming. Instead we are seeing a proliferation of non-networks—collections of strangers that have the appearance of connectivity. And those strangers now have unprecedented access to us. We are no longer invisible to them, either.
I have eighty-four friends on Facebook. I have known sixty-eight of them for years or even decades. Twenty-five of them are kindred spirits. Sixteen of them are among my closest friends. I have school and work ties to twelve of them. I have the same rare disease as six of them. I will love seven of them until the day I die, and I am unwavering in my commitment to them. I have connections with each of them that extend well beyond Facebook: We are bound by shared experience and shared purpose. I know who they are. I trust them. They are neither strangers nor strangers who appear to be friends.
Theorists such as Robin Dunbar posit that our brains don’t allow us to manage more than about one hundred fifty close or relatively close relationships. We just don’t have the ability, even with established and emerging technologies, to increase the mental and emotional requirements to closely follow, and to emotionally and intellectually engage with, more than one hundred to one hundred fifty other people.
Only I can see my list of friends on Facebook. Many people make that list public, but I won’t. I don’t want to give anyone using Facebook—even someone I don’t know at all—the ability to peruse my friends list, message or send friend requests to my friends based on their connection with me, or otherwise create the impression of being something other than they are, which is a stranger.
What happens when we have more than one hundred fifty close or relatively close relationships, even on social media? Robin Dunbar says we can neither closely follow nor emotionally and intellectually engage with our connections. I argue that something else—something more important—happens as well, which is that we give rise to virtual communities which are unsafe, ones in which the bloated network’s intrinsic dysregulation leads to infractions that take on many forms, including denigration, harassment, manipulation, coercion, assault, and even rape. All the while, those who commit the infractions walk among us, glad-handing the network’s other participants, both buttressed and seemingly protected by his or her connection with those members. The perpetrator’s continued acceptance by the network seems, in itself, like a vote of confidence in the perpetrator and also a motion of no confidence against the victim. Who wants to stand up against someone so many seem to stand with? For half a decade, I did not stand up. Even now, I am not standing. Though I am no longer crouching, I’ve only half-risen. If you can’t see me, look down: I’m the one on my knees.
A game of rock, paper, scissors where both parties keep choosing rock.
Marriage —
Partner 1: The bird flies near me.
Partner 2: The bird flies through me.
Marriage —
In the living room, my husband antagonizes me with a teddy bear hand puppet before running around in circles singing “Brown Sugar.”
Marriage —
My husband chases me through the house after realizing I’ve covertly filmed him running around in circles singing “Brown Sugar” while wearing a teddy bear hand puppet. He makes me promise I’ll never show it to anyone. I agree, knowing the power lies not in sharing the video but rather in having the video.
Marriage —
My husband and I agree that we really need to get out of the house. Seven hours later, we still haven’t made it out of the house. Things are not looking promising for the next seven hours, either.
Marriage —
Partner 1: I’m agreeing with you.
Partner 2: No, I’m agreeing with you.
Partner 1: No, I’m agreeing with you.
Partner 2: No, I’m agreeing with you.
Partner 1: No, I’m agreeing with you.
Partner 2: No, I’m agreeing with you.
Marriage —
My husband is using a flashlight to navigate his way through our house because it’s so dark in here. It’s 4 p.m.
Marriage —
My husband has placed the flashlight in his mouth. His cheeks are glowing red. He says the light is illuminating the vitreous gel inside his eyes.
Marriage —
My husband always eats half a banana and leaves the other half to die a slow, awkward death on the kitchen counter.
Marriage —
There’s a laundry standoff, and we’re both out of underwear.
Marriage —
I thought I’d discovered a new life form growing out of the sofa, then I realized it was just my husband taking a nap with his head wedged between two seat cushions.
Marriage —
Partner 2: Will you empty the dishwasher?
Partner 1: The dishes need to cool off.
Partner 2: How long will that take?
Partner 1: At least several days.
Marriage —
Partner 2: You can’t kiss me right now.
Partner 1: Why not?
Partner 2: I just put on lip gloss, and I don’t want it to get messed up.
Partner 2: I need you to do _______ and _______ and _______ and _______ and _______.
Partner 1: (In robot voice) Too many inputs. Overload. Must shut down.
Marriage —
Partner 1: Where did all the candy go?
Marriage —
Partner 2: I wish you talked to me the way you talk to Google Glass.
Partner 1: You want me to give you voice commands?
Marriage —
Partner 2: Take me out to dinner.
Partner 1: Shut up.
Marriage —
Partner 1: I made this five-course meal for you.
Partner 2: It’s five kinds of raw, chopped vegetables.
If my husband and I ever renew our wedding vows, this will be what I say to him:
I can give you my loneliness, my darkness, the hunger of my heart, I am trying to bribe you with uncertainty, with danger, with defeat. ― Jorge Luis Borges
Marriage ―
I remind my husband to call his father. He knows why he needs to do so. The day wears on. My husband forgets, or he lets himself forget. The last thing my father-in-law said to my husband was, I am so lonely. So lonely without her.
Marriage ―
My husband waits until he’s two hours late to call and let me know he’s running late.
Marriage ―
My husband accidentally calls me by our dog’s name several times a day.
Marriage —
Partner 1: Are you really eating that for breakfast? Cake and soda?
Partner 2: Yes.
Marriage —
The Thorntons and the Martins have very different ways of dealing with adversity. The Martins are, as their name implies, wispy as little birds tossed on difficulty’s winds. The Thorntons, also true to their name, shoot a ton of thorns when challenged. (Thornton is my mother’s maiden name. It’s where I get my sting.)
Marriage —
Partner 1: When someone closes a door, turn around and walk away.
Partner 2: When someone closes a door, break down the entire wall.
Partner 1: I can’t talk to you without taking anxiety medicine.
Partner 2: I can’t talk to you without drinking soda.
Marriage —
I get it. Sometimes I am aimless. Sometimes I dawdle. Sometimes I get distracted. There are times when my husband is completely justified in hurrying me along. But when I am in the middle of having a bowel movement? That is not one of those times.
Marriage —
Partner 1: Even though I don’t like you, I like everything about you.
Marriage —
Partner 1: I don’t want to be around anyone smart.
Partner 2: You’re safe with me.
Marriage —
Partner 1: What about when I wear hats? Do you like me more then?
Partner 2: No.
Marriage —
In which Partner 1 plays menacing metal tunes on his digital guitar.
In which Partner 2 learns to play “Teenager” by the Deftones on her flute, then takes the piece up an octave.
Marriage —
Partner 1: You smell so good today. What’s different?
Partner 2: I bathed.
Marriage —
Partner 2: Why do you keep attaching yourself to me when I enter the room?
Partner 1: Because I’m playing Tetris, but with people.
Marriage —
Partner 2: Let’s go to the bookstore.
Partner 1: Sure. Why don’t we go to __________.
Partner 2: Not that one. They only have smart books.
Marriage —
Partner 1: Do you see this bag of chips? Eat no more than one-half of this bag. Half. H-A-L-F. No more than that. (Draws an invisible line down the middle of the bag with right index finger.)
The first wound was in the right hand …………………..and occurred at the patrol car as confirmed by skin tissue found on the car. …………………………………..It was the only close wound.
The Body
The body weight is 289 pounds and the body length is 77 inches. The state of preservation is good in this unembalmed body. Rigor mortis is well developed.
The body is heavier than ideal weight base upon height //. Lividity is difficult to access due to natural skin pigmentation. There is no peripheral edema present.
Personal hygiene is good.
No unusual odor is detected as the body is examined. There is no abnormal skin pigmentation present. There is no external lymphadenopathy present //
The pupil of the left eye is round, regular, equal and dilated. The scleral and conjunctival surfaces of the left eye are unremarkable. The right eye cannot be accessed due to an acute traumatic injury (gunshot wound).
Gunshot Wounds
There is a gunshot entrance wound of the vertex of the scalp. There is a gunshot entrance wound of the central forehead. There is a gunshot exit wound of the right jaw.
There is a gunshot entrance wound of the upper right chest. There is a gunshot entrance wound of the lateral right chest. There is a gunshot entrance wound of the upper ventral right arm.
There is a gunshot exit wound of the upper dorsal right arm.
There is a gunshot entrance wound of the dorsal right forearm. There is a gunshot exit wound of the medial ventral right forearm. There is a tangential // gunshot wound of the right bicep.
There is a tangential // gunshot wound near the ventral surface of the right thumb. There is a gunshot related defect present near the right eyebrow //. There is a gunshot related defect present near the right eyelid //.
The Heart
The surface of the heart is smooth, ………………………….glistening and transparent.
Tissue Fragment
Sections of the tissue fragment from the “exterior surface of the police officer’s
motor vehicle” are consistent with a fragment of skin overlying soft // tissue.
There are features of desiccation/drying artifact present within the soft tissue.
There is a granular layer present within the upper layer of stratified
are present within the basal layer of the stratified squamous epithelium.
The Hair
The hair is black. This represents the apparent natural color. The hair is worn short to medium length. There is a goatee present on the face. The body hair is of normal male distribution.
He Came Around
he came around …………………..he came around ………………………………………with his arm extended …………………………..fist made ……..and went like that ………………………….straight at my face with his … ………………………………………….a full swing with his left hand
Mace
I know how mace affects me so if I used that in that close proximity I was gonna be disabled per se. And I didn’t know if it was even gonna work on him if I would be able to get a clear shot or anything else.
Um, then like I was thinking like picturing my belt going around it. I don’t carry a taser so that option was gone and even if I had one with a cartridge on there, it probably wouldn’t have hit him anywhere.
He Said
He said, “You’re too much of a fuckin’ pussy ………………………..to shoot me” and grabbed my gun.
Then
Then I took my left arm and I pinned it against my back seat and pushed the gun forward like this …………………..took my left hand, placed it against his and my hand on the side of my firearm and pushed forward both of my arms.
Somewhat Lined Up
When it got there I saw that it was somewhat lined up with his silhouette and pulled the trigger.
Nothing happened. Pulled it again, nothing happened.
Um I believe his fingers were over in between from the hammer and the slide preventing it from firing.
Blood
The first thing I remember seeing is glass flyin’ and blood all over my right hand on the back side of my hand.
……………..Um, he looked like he was shocked initially but, and he paused for a second and then he came back into my vehicle and attempted to hit me multiple times
………………………….He had, after I had shot and the glass came up, he took like a half step back and then realized he was okay still I’m assuming. He came back towards my vehicle and ducked in again his whole bod …
………………………….whole top half of his body came in and tried to hit me again.
……………………………………..Um …
Again
I tried to fire again, just a click. Nothing happened.
…………………….After the click, I racked it and as I racked it, it just came up and shot again.
Dust
I was still in this position blocking myself and just shooting to where he was ’cause he was still there.
……………………Um, when I turned and looked, I realized I had missed I saw, a, like dust in the background and he was running …
A Grunting Noise
When he stopped, he turned, looked at me, made like a grunting noise and had the most intense aggressive face I’ve ever seen on a person.
Still Charging
Still charging hands still in his waistband, …………………..hadn’t slowed down. I fired another set of shots.
…………Same thing, still running at me hadn’t slowed down, hands still in his waistband.
He Went Down
He went down his hand was still ………………………….under his, his right hand was still ……………under his body looked like it was still ……………………………….in his waistband. I never touched him.
Swabs
Swabs from Michael Brown’s t-shirt / Swabs from Michael Brown’s shorts / Swabs from the palm of Michael Brown’s left hand / Swabs from the back of Michael Brown’s left hand / Swabs from the palm of Michael Brown’s right hand / Swabs from the back of Michael Brown’s right hand / Swab from the fingernail scrapings/clippings of Michael Brown’s left hand / Swab from the fingernail scrapings/clippings of Michael Brown’s right hand / Piece of apparent tissue or hardened nasal mucus from the driver front exterior door of Ferguson [Police Department] vehicle 108 / Swab from the driver rear passenger exterior door of Ferguson [Police Department] vehicle 108 / Swab from roadway in front of 2943 Canfield / Swab from roadway in front of 2943 Canfield / Swabs from RBS on the upper left thigh of [Police Officer] Wilson’s uniform pants / Swabs from top exterior left front door of Ferguson [Police Department] vehicle 108 / Swabs from exterior left front door mirror of Ferguson [Police Department] vehicle 108 / Swabs from interior left front door handle of Ferguson [Police Department] vehicle 108 / Swabs from [Police Officer] Wilson’s “SIG P229” / Swabs from [Police Officer] Wilson’s uniform shirt—left side and collar / Swabs from [Police Officer] Wilson’s uniform pants—left side / Buccal swab reference sample from [Police Officer] Wilson / Bloodstain card reference sample from Michael Brown
The Deceased Hands
The deceased hands were bagged with paper bags to save any trace evidence
—
The text above was taken directly from the documents pertaining to the grand jury investigation of Michael Brown’s shooting. Omitted words are indicated with a double slash (//). Omissions do not alter the context of the information provided. Read the grand jury documents here.
May everyone involved in this tragedy find healing. May we all find our way out of this, of this and so much more.
I am thankful that my entry and exit wounds are only emotional, not physical. I am thankful that I have no gunshot-related defects. I am thankful that I am not lying dead on an examination table while someone makes note of my BMI, my skin pigmentation, the color of my hair, the scleral and conjunctival surfaces of my left eye which—at the time of examination—is my only eye.
I am thankful that my flip flops were not found lying west of me in the roadway.
I am thankful that the examiner cannot open me up and look at my glistening, transparent heart. Thankful that I have not left tissue fragments on the exterior surface of a police officer’s motor vehicle, that there is no dessication or drying present within my soft tissue. Thankful that I have not been described as grunting, as aggressive, as having the most aggressive face ever seen on a person. That I have not been described as crazy. Just crazy.
I am thankful that the only weapon I am perceived to have is my voice. Thankful that my hands were not bagged to save any trace of evidence, that I did not lie in the road dead for more than four hours. That I have not been reduced to the swabs taken from my shirt, from my shorts, from my palms, from the backs of my hands, from my fingernails, from the roadway, from the thigh of the police officer’s pants, from the left side of his pants, from his collar, from the tissue I left on the police officer’s front door, from his back door, from his door mirror, and from the inside of his door handle.
I am thankful that I did not lose consciousness immediately from the head wound to my face, that I was not unprotected when I collapsed, that the boney prominences on the right side of my forehead and cheek were not abraded as the road stopped my fall. I am thankful that my flip flops were not found lying west of me in the roadway and that my red baseball cap was not found near the police officer’s vehicle.
I give thanks on this day. Thank you. Thank you. Amen.
I grew up eating okra, which my mother breaded and fried. I never knew until I moved to Kansas City and bought a bag of frozen okra that it was hairy on the outside and slimy on the inside. I didn’t know the seeds were soft and moved within the mouth in an unsettling manner, avoiding the tongue and slipping down the throat. Okra and I parted ways after our tryst in the frozen food section of the Piggly Wiggly at 51st and Main, but I see it sometimes in gumbo and imagine what we might have become if we had stayed together all these years.
I feel like I’m in a car driving down a dark road, just two headlights between me and the black world.
I read a poem today that was so good I had to stop reading poems. It wasn’t about okra. It was about family. It was one of those poems that makes me cry and pace and ultimately climb the stairs to the main bedroom, at which point I consider the unmade bed and its implicit invitation to ride out the rest of my day there in the disturbing drift of silence and synthetic down.
Now I’m sitting at the computer wondering what comes after silence. I looked to the moon for an answer, but it seems to have vacated the sky. I don’t trust this level of darkness.
My husband will be home soon enough to invade my senses in the best or worst of ways. My tongue is already burning. My arms tingle. I don’t know if my body will accept or reject the presence of another human being in its vicinity.
There are not enough light bulbs to illuminate this room. I feel like I’m in a car driving down a night road, only two headlights between me and the black world. But I am not moving. I just keep staring at the same two monitors and, behind them, the same set of bookshelves—one shelf sports a thumb piano, the other a rusted monkey with articulated arms and legs.
Maybe I want poems to be pop-up books or choose-your-own-adventure verses. Maybe I want them to be origami. You would buy them flat, and the poem would be revealed as you folded the paper into the proper form.
I wonder if I could sauté okra in water and if I could learn to like it that way, if I could ever eat it without thinking of my mother. I wonder if my husband could lasso the sun and place it on my desk like a lamp. If not, maybe he could take me to the lighting section at IKEA. I could stand under all those fixtures and pretend to be Cinderella at the ball. Someday I will make my own light, like the stonefish or the false moray eel. I will be the bright thing in the shadows.
My CPU warms my feet. The heat makes me think something is curled up next to me, a small being in need of comfort.