The Letter

Several years ago, the poet who sexually assaulted me circulated a letter about me within the poetry community. In it, he made defamatory statements about me, including stating that I was expelled from my MFA program for behavioral health issues. That’s not the case. I withdrew after my first semester of study. It was too difficult to continue there because the sexual assault happened en route to that program’s first residency, the poet who assaulted me was friends with instructors there, and the director lowered my grade for the residency, calling into question my commitment to poetry.

That letter was terrifying. I’d just been diagnosed with a rare, life-threatening disease that affects my immune system. I had thyrotoxicosis, which is also a serious medical condition. And I had follicular thyroid cancer. The letter was circulating among poets when I was too ill to defend myself. It was me against everyone who adored him and believed him and had already been online making statements about victims being spineless or taking pleasure in our own pain. The poet who assaulted me successfully silenced me by lying about me, intimidating me, publicly shaming me, and using my trauma history against me, one he knew well and used as a way to connect with me and earn my trust.

It was too much for me to withstand, so I stopped writing and buried most of myself to salvage whatever remnants I could in an effort to create some kind of life outside poetry. Birding helped me get through it. Weaving helped, too. But when I had a suite of serious medical issues in 2022 followed by serious mental-health issues in 2023, I knew I needed words again. I needed poetry, so I started writing, and I slowly began to connect and reconnect with other poets, even knowing that doing so could lead me back into pain, into misunderstandings, into being labeled and shunned, into being formally and informally blacklisted and, perhaps, right into the arms of cruelty.

If anyone has any concerns or hears any murmurings about me, I hope they’ll talk to me directly and not make assumptions about me based on defamatory, inaccurate, incomplete, or decontextualized information. I’m terrified all over again because my work is appearing in literary journals, and I’m bracing for attacks. That’s why I’m writing this: not to set any record straight, but rather to make my fear transparent, as well as my genuine desire to respond to anything folks may have heard about me.

Five Things Addendum

I want to add to my November 16 post about five things that have happened to me as a female-bodied poet. Poets #1 and #4 are misogynists. Poet #5 is deeply disturbed. But poets #2 and #3 live in a different space.

They’re both sensitive, talented male poets. They embody poetry in ways few do these days. There’s a kindness to them that’s rare, a generosity that can feel unparalleled. But they struggle in different ways, perhaps not unlike the ways in which we all struggle. Those struggles may be part of why poetry is so important to them and why they need it to be central to their lives.

I get it. But when those struggles have a gendered component, that dynamic can draw some poets closer while leading others to be excluded, marginalized, and othered. That othering tends to happen more to female-bodied poets than to non-female-bodied poets.

A female-bodied poet’s kindness can be taken for something it isn’t. A male poet’s expectations can get in the way of reality. A poet who feels snubbed or hurt or like he’s the one who never gets the girl can cut all ties to a talented female-bodied poet in order to avoid those feelings without thinking about the consequences of doing so, let alone the role they’re playing alongside countless other male poets, which is removing support from, blocking opportunities for, and silencing that poet’s voice and personhood over and over during her/their writing career.

That’s why I included poets #2 and #3 in my list alongside two misogynists and a poet who sexually assaulted me. They may be different from those men, but they still did harm. And this body keeps the score, which means other bodies are also keeping the score. It’s time to talk about the damage being done to our work and to our physical and mental health.

Five Things That Have Happened to Me as a Female-Bodied Poet

  1. 2009. A prominent poet in Seattle agreed to work with me on my poetry. Before the appointment, he googled (from his IP address) the words “married” and “naked” in combination with my name. He then canceled the appointment, told me I was childish for writing cut-up poems, and said I was wasting his time. But he didn’t stop there. He created a fake blog username and trolled me on my site (again, from his IP address) for months, trashing everything I wrote, including my poems. He later told folks associated with a book publisher in the area to ignore and disregard me.

  2. 2015. In front of a large group of poets, a prominent Kansas City poet screamed that I wanted to take him behind a dumpster and fuck him. This occurred after months of what I thought was meaningful friendship and seemed to be spurred, at least in part, by the fact that I was close friends with a more prominent Kansas City poet. The outburst occurred in front of that poet. Eight years later, he would tell me that I’m the one who harmed him because I’m a reminder of who he was at that time, and he doesn’t want to think about being that person.

  3. 2023. A talented poet who’s part of a tight network of poets outside Kansas City interacted with me for months as he was healing from a serious health issue. I was going to be in the area, and he asked if we could meet. I planned to give him the rare Japanese printing press I’d recently purchased so he and his friends could use it to make chapbooks. Before I left for the trip, he sent me a postcard with a poem of his on the back about how he never gets the girl, then he blocked me on Facebook. I still don’t understand what the hell happened there, but I know it’s bullshit.

  4. 2024. A Seattle poet I’ve known since 2009 decided to attack and threaten me yesterday after fifteen years of friendship and poetry camaraderie. We both lived in Seattle for years and spent time together in person on numerous occasions. Yesterday, he told me (and many others) that I’m cheating on my husband with him. That is not the case. I’ve posted screenshots of his accusations and the conversation he’s referring to because he threatened to out me publicly. For what, praytell? There’s nothing to out other than his unacceptable behavior.

  5. 2009. A poet who was my mentor sexually assaulted me en route to my MFA program in 2009. I’ve discussed that situation at length, including in a fifty-thousand-word essay on my website that was published for more than five years. I managed to stay in poetry until 2015—through my fear and my shame and my lost faith in poets and poetry—then I left for seven years.

I returned to poetry in 2022 with one vow: to never let anyone silence me again, threaten me again, terrify me again, or defame me again. This is a hard commitment to make, but I’m doing it. My responses will be swift when abuses occur, like the one that happened yesterday.

May nothing like any of the above happen again. May poets live up to what they are attempting to do in and through poetry. May poets who are women, female-bodied, queer, and otherwise marginalized find safety in poetry and among poets. May poets stand up for each other when it matters rather than adding ha-ha emoticons to posts in which poets are harassing and threatening other poets. May we find ourselves. May all these things come to pass.